Podcast

“I don’t know if it’s some kind of weird time warp or something, but I feel like I run into different versions of myself at different stages.” 

William Sarradet and Brandon Zech discuss how art meme accounts have taken over Instagram.

Christina Rees and Brandon Zech on the ongoing debate about museums deaccessioning objects from their permanent collections. 

“I wonder if artists are being commissioned to beautify cities in a way that ignores the time that we live in.”

Christina Rees and Brandon Zech break down the meteoric rise of NFTs.

“We still love the business and we really thought we would keep working until we couldn’t anymore, and just close the doors. So we’re thrilled that it is going to continue.”

Inspired by the career of Clint Willour, Christina Rees and Brandon Zech discuss the transformational impact a single person can have on an art scene. 

Christina Rees and Brandon Zech discuss artists' use of windows as makeshift galleries and question if cities should force businesses to put art in empty storefronts.

"It's not just the content of hate speech that is problematic. It's the algorithms that have funneled haters toward more hate."

Brandon Zech talks with Houston artist and Glasstire contributor Henry G. Sanchez about the challenges of public arts funding during a pandemic.

“There are things that are happening in Dallas that Black artists will never know about, because there wasn’t a Black person in the room to share the information with a Black artist.” 

Christina Rees and Brandon Zech talk about the landmark events of 2020, and their takeaways from an unusual year. 

Christina Rees and Brandon Zech talk about nativity scenes, Christmas art, and the inherent kitschiness of our beloved holiday traditions. 

“I think that is ultimately what is at the foundation of my practice — it is an insistence on mobility, which is like freedom and liberation. To move.”

Christina Rees and Brandon Zech talk about the recently discovered (and removed) monolith in Utah, and about the wonderful work of a minimalist sculptor. 

“It’s always like: In here we’re an artist, in here we’re a social entrepreneur, in here we’re making policy changes. Whatever it is, it's being in a space where we feel like we’re needed the most to make social impact.”

"These are mirrors. These are affirmations. I want people, especially Black people, to look at these paintings and see themselves."

Christina Rees and Brandon Zech talk about the opening of the MFAH's landmark new building for modern and contemporary art.

Christopher Blay and Riley Holloway talk about painting, family, politics, "Home," and recognizing ourselves in the people and culture that make up the Black experience. 

Christopher Blay, Christina Rees, and Brandon Zech talk about what the recent postponement of a show of works by Philip Guston says about museums and culture today.