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“I really want to shed light on [that type of] injustice and how that interlaces into policies of today; immigration today.”

There is great value, Hudnall stresses, in creating artistic documentation of the everyday people and activities in one’s own community.

Parker's show is a wealth of deeply considered ideas about communication, vulnerability, violence, power, and authority.

Glasstire presents the prizewinning entry of the inaugural Glasstire Art Writing Prize, which was open to college students in the North Texas region. Melanie Shi is a philosophy major at the University of North Texas in Denton. 

In 2007, Houston artist Bob Fowler published a how-to book. “Needing a quiet place to draw is a pleasant myth invented by Sunday painters, bless their hearts.”

My friend summed it up succinctly by stating: “There’s no Vegas here.” 

Olivia's solo show has a feather touch that allows deeper conversations to surface.

"You cannot replace a living animal with foam, which is what is inside of those. Do your best and let it go." 

Christina Rees and Brandon Zech on Austin’s biggest annual art event, an explanation of Yellow City Art in the Texas Panhandle, and a new CAMH show that’s grabbed our attention.

“I think it’s probably the work that people are least interested in.”

"You either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard’s vote."

A massive group show in two San Antonio venues, curator Risa Puleo assembles a dazzling array of artists living or having histories in the corridor of the Monarch’s path.

“I knew right then I had to find out what was really going on in this place. I had to stay right here. Never made it to California.”

'Selected Writings by Dick Higgins' ain’t everything that Dick wrote, but it’s the cream of the crop. If you’re looking for a crash course on 1960’s experimental art straight from the horse’s mouth, this would be a heck of a start.

Christina Rees and Brandon Zech on two Spanish geniuses in Fort Worth, art that’s deep in the Texas Valley, and a tricky installation in an unlikely venue.

"My first solo exhibition was titled 'What Remains.' As a statement it refers to perseverance. As a question it refers to what is left to be said."

Bones are fascinating to a lot of people, but often unconsciously — we often don't think much about bones until they're broken, and they're somewhat imbued with taboo mystery.

Blankness in a human is frightening. Anonymity in a person is menacing.

This is the sixth installment in a series of stories published by artist Hills Snyder in conjunction with his traveling project ‘Altered States’ which opened November 2016 and is still on the move.

Houston hosts a rare performance by Basquiat’s un-band, and a journey through the creative life of Michael Holman.