Review

Carris Adams reviews Project Row Houses' current exhibition, "Round 53: The Curious Case of Critical Race.... Theory?"

Ashley Allen reviews "Donald Moffett + Nature Cult + The McNay," on view at the McNay Art Museum in San Antonio.

Rosa Boshier reviews artist Oscar Muñoz's retrospective exhibition "Invisibilia," on view at the Blanton Museum of Art.

Megan Wilson Krznarich reviews the exhibition "The Language of Beauty in African Art" currently on view at the Kimbell Art Museum.

Liz Kim reviews a retrospective exhibition of work by Dawoud Bey, on view at the Museum of Fine Arts, Houston.

Barbara Purcell reviews the book "Plagues and Pencils," written by Edward Carey and published by the University of Texas Press.

Garland Fielder writes about "Dimensions Variable," a performance activation at the Moody Center for the Arts in Houston.

Cyrus chooses materials that are part of everyone’s daily existence — like denim, and music — and his choices grant access for all to this exhibition.

Hannah Dean reviews the solo exhibition by Bale Creek Allen at kind of a small array in Magdalena, New Mexico.

Lauren Moya Ford reviews the group exhibition "fitting" at Northern-Southern gallery in Austin.

Hannah Dean on a biennial exhibition by the faculty of the El Paso Community College, on view at the International Museum of Art in El Paso.

Ashley Allen reviews a solo exhibition by Megan Harrison, currently on view at Blue Star Contemporary in San Antonio.

William Sarradet writes about five recent exhibitions in San Antonio, Austin, and Dallas.

It is important to remain cognizant of the power given to institutions, including museums, to shape the historical narrative.

Though abstract in nature, there is something familiar, and often figural, in the rhythmic lines of Herrera’s work: joyous, dancerly, tousled.

"Going to Performa had me flying home with a resounding realization that Houston and the art we have happening here is even more important than I thought." 

This groundbreaking exhibition marks the first and possibly last time these objects will be reunited from various collections across the country. 

"Aqui Descansaba" shows vulnerability by accepting the painful truth and the contemporary reality of la frontera.

Red Star’s artwork is an autobiographical revelation, both personally and culturally, offering up lesser-known parts of our history through a living, breathing heritage.

We can think of Cande Aguilar and Jesse Amado as two artists on different sides of the same coin.