Embarking as a motivated flaneur is the point.
Review
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“The show gave me the opportunity to look backwards and look forwards at the same time, and to think about the resonance of images, actions, and words then and now.”
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Review
Boomtown Bohemian: Basil Clemons’ Photographs at the Old Jail Art Center
by Gene Fowlerby Gene FowlerClemons’ photographs have a hardscrabble grace about them, with a rawboned edge that is sweetened with Main Street exoticism.
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Perez’s work draws from the borderlands tradition of hand-painted signage on businesses, known as rótulismo.
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Brackens participates in this cultural moment by “having bodies in repose or resting — doing anything but dying."
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Review
Beyond Frida: Female Mexican Painters Paint the Modern Mexican Woman at the Dallas Museum of Art
After the Mexican Revolution, the country’s daring female artists forged a new picture modeled after themselves and who they wanted to be.
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When we find ourselves craving connection, we can find it though critical engagement with something wonderful someone has made for us.
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Review
Restitution, Repatriation, and Decolonization: What’s Next For “Brutish Museums”?
by Lydia Pyneby Lydia PyneDan Hicks offers a passionate, unflinching critique of how the continued presence of the Benin Bronzes in British museums and national collections perpetuates the colonial violence that “acquired” them in the first place.
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Holsonback’s work often pushes us to find the context for ourselves.
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Review
Shredding Cartoon, Comic, and Canon: Ruben Nieto at Cris Worley, Dallas
by Eric Shawby Eric ShawIn this solo exhibition, Ruben Nieto mashes high art and low.
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Glasstire staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for this incredibly weird and worrisome year.
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The exhibition calls up centuries' worth of folklore deeming noontime the most foreboding hour of the day.
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The outlines of teeth and lips are faintly visible across the works, but Jones’s paintings remain tantalizingly amorphous, and hover between abstraction and figuration.
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If you're in DFW, I'd consider this a must-see event.
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The exhibition is comprised of two parallel bodies of work: Joseph’s well-known works on paper, and his newer exploration of sculptural wall reliefs.
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The live-streamed performance conveyed a rawness that not only reflects the artist's personal experiences, but the kind of year this has been.
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Sanders' new book walks readers through how print is created, and how every historically new technique depends on its precedents.
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Davidoff's sincere concern for nature is matched by the pleasure of capturing it in her artworks.
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The most powerful thing about the show is not its aesthetic or technical prowess — but rather its ability to offer a temporary calm in our chaotic moment.
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Featuring work by William Leavitt, Ari Marcopoulos, Stefan Rinck, Mungo Thomson and Blair Thurman.