Valentin Diaconov reseña tres exposiciones de la artista Ming Smith en exhibición en el Contemporary Arts Museum Houston, Art is Bond y la Barbara Davis Gallery.
Review
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Review
The Idea of a Place: Alice Leese’s National Parks Residency Paintings at Lubbock Christian University
Michelle Kraft writes about Alice Leese, who over the past few years has participated in artist residency programs with the National Parks Arts Foundation.
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Donna Tennant reviews a group exhibition featuring works by Houston artists Saran Alderson, Sarah Fisher, Liz Gates, Ashita Sawhney, and Doug Welsh.
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William Sarradet writes about two current Dallas exhibitions: a show of works from the collection of Seth Davidow at SITE131, and a show of paintings by Masamitsu Shigeta at 12.26.
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Review
Review: Mitch Pengra’s “MANVAS: The Ritual of Transformation” at landSPACE: a kunsthalle, Austin
by Brandon Zechby Brandon ZechBrandon Zech reviews Houston artist Mitch Pengra's first-ever exhibition.
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Barbara Purcell writes about her visit to Ugo Rondinone's "Seven Magic Mountains" in the Las Vegas desert.
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Review
Reimagining the American West: Richard Avedon at the Amon Carter Museum of American Art, Fort Worth
Jessica Fuentes writes about the exhibition “Avedon’s West,” a museum-wide show reconsidering Richard Avedon's iconic series of portraits.
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Leslie Thompson writes about Amy Cutler's exhibition "Past, Present, Progress," on view at Ruby City in San Antonio.
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Megan Wilson Krznarich reviews Eduardo Sarabia's immersive exhibition of ceramics, paintings, and other artworks at Dallas Contemporary.
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Review
Remixing the Classics: Adde Russell at Commerce Gallery, Lockhart
by Bucky Millerby Bucky MillerBucky Miller reviews a solo exhibition by artist Adde Russell, which was recently on view at Commerce Gallery in Lockhart.
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Lorena Fernandez reviews the exhibition "Milton Becerra: Kinetic Webs," which is curated by Mari Carmen Ramirez and on view at the Transart Foundation for Art and Anthropology.
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William Sarradet writes about the Barbie movie and about recent shows in Dallas-Fort Worth, at the Oak Cliff Cultural Center, the Modern Art Museum of Fort Worth, Pencil on Paper Gallery, and Dallas Contemporary.
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Christine Gwillim writes about a suite of performances by chamber music group Agarita at the San Antonio Museum of Art.
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Review
Unbounded Forms: “Full and Pure: Body, Materiality, Gender” at the Green Family Art Foundation, Dallas
Emma Ahmad reviews the exhibition "Full And Pure: Body, Materiality, Gender," on view at the Green Family Art Foundation in Dallas.
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Jacky Cortiaus reviews an exhibition of exquisitely detailed drawings by artist Gray Foy, on view at the Menil Drawing Institute in Houston.
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Review
A Residency Reunion: “(RAiR reCONNECT 2013-2023)” at Bone Springs Art Space, Roswell
by Hannah Deanby Hannah DeanHannah Dean reviews a show featuring five artists who have participated in the Roswell Artist-in-Residence program.
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Jessica Fuentes writes about Jay Wilkinson’s solo show “Free Dirt” at Bale Creek Allen Gallery in Fort Worth.
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Barbara Purcell escribe sobre la mitad neoyorquina de la exposición "I Am Not Your Mexican" en la Ruiz-Healy Art.
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Leslie Thompson reviews a prescient exhibition by Fort Worth artist Corrie Thompson, on view at the Old Jail Art Center in Albany.
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William Sarradet writes about the art, new studio spaces, and performances he encountered during a visit to Austin in July of 2023.