Review

Garland Fielder on the tireless, cathartic work of Philip Guston.

Ashley Allen reviews an exhibition about the life and legacy of La Malinche, on view at the San Antonio Museum of Art.

Bill Baird reviews a collaborative exhibition by stalwart Texas artists Jeff and Bryan Wheeler.

Barbara Purcell on Barry Stone's uncanny photographs.

William Sarradet reviews a survey of one of the most prolific and recognizable living American photographers.

Donna Tennant on the rhythmic and lyrical paintings of Robin Utterback.

Barbara Purcell on Bruce Munro’s site-specific, outdoor installation at UT Austin's Wildflower Center.

Lauren Shults on artist Gabriel Dawe's ambitious exhibition and installation at Talley Dunn Gallery.

Rosa Boshier writes about the visually dazzling and ideologically complex work of artist Alia Ali, whose recent exhibition was on view at Foto Relevance in Houston.

Joseph Wolin discusses how artist Dana Robinson's monoprint paintings examine the history of corporate visions of Blackness.

Colette Copeland reviews Austin-based artist Tammie Rubin's solo exhibition at Galleri Urbane in Dallas.

Saúl Hernández-Vargas reviews artist J.R. Roykovich's solo exhibition, on view at the Galveston Artist Residency in Galveston, Texas.

Morgan Page reviews Alice Lee's solo exhibition at the Juanita Harvey Art Gallery at Midwestern State University in Wichita Falls.

Brandon Zech reviews two recent exhibitions in Houston.

Jessica Fuentes on how El Refugio, a new artist-run space in Fort Worth, is building a community through art shows and musical performances.

William Sarradet writes about recent exhibitions at Foto Relevance, SITE Gallery, and Erin Cluley Gallery, and a performance at Lawndale.

What does it mean to be ethnically Korean in the context of rural Texas, where one is surrounded by ranching and oil?

Barbara Purcell on Yoonmi Nam's ability to create delicate reminders of lasting impermanence.

Ashley Allen on Austin artist Lance Letscher's collage works, which comment on our built and natural environment.

Britt Thomas reviews FotoFest's 2022 Biennial exhibition "If I Had a Hammer," on view in Houston through November 6, 2022.