Review

Kitchen’s careful manipulation of sometimes lush, sometimes desolate snapshots from the American Northwest probe the contours between documentary and craft.

Reyna explores motherhood and Autism Spectrum Disorder in a new exhibition in Lubbock.

This is a book about the hidden, captivating, complex lives of portrait sitters and how history has — or has not — remembered them.

In his installation at Janette Kennedy Gallery in Dallas, the talented political artist hits another one out of the park.

Even at the end of options, there are still options. 

"Graffiti has also become a popular art form among the property owners who once disapproved — now many building owners commission graffiti artists to adorn their walls with murals."

I remember when Nicole Tersigni’s thread of portraiture-based mansplaining memes started popping up in my Twitter feed last year. I laughed until I cried.  

These works are delicate but not fragile, bringing to mind the slogan by queer publisher Genderfail: "radical softness as a boundless form of resistance."

One of the pleasures of the show is that you don’t have to be knowledgeable or really even have any interest in Theatre Arts or Robert Tobin’s life or collection.

Not only does our constant upgrading fundamentally impact our perception and experience of time, but it shapes how we document and share ourselves as well as our legacies.  

Mushrooms — especially in conjunction with Cage’s life, compositions, and approach to music theory — are full of metaphor. 

The portal through Chandler’s "Door" is one of three pathways into the exhibition that reflect on the legacy, persistence, and enduring consequences of the socio-political climate under which the works in "Soul" were forged.

This summer group show presents a timely visual conversation.

The museum's current exhibitions of two Texas contemporary artists reiterates its love for detailed work and painstaking methods.

This is one of best exhibitions of Old Masters to tour the U.S. in recent decades, and the Kimbell Museum is one of only two U.S. venues.

The show is stunningly beautiful one-quarter scale reconstruction of all the works in a legendary and elusive Dwan Gallery exhibition.

While the images may appear tame today, they very much defied the cultural decorum of their time and place. 

Everything is made of the same matter and light. This is elemental painting.

Why is viewing art through glass windows better than on a screen?

The revelation about George Floyd's time in Houston has completely upended my perspective on "Slowed."