After twenty-five years, Professor Benito Huerta will retire in June 2022 from his position as the Director and Curator of The Gallery at UTA, at the University of Texas at Arlington.

What’s clear is that the artist is deeply attuned to the nuance of profiles, surfaces, and material transitions, as any good sculptor should be.

The Mellon Foundation and the Ford Foundation have announced the 2022 Latinx Artist Fellowship cohort, which includes three Texas artists.

Barbara Purcell talks with Houston artist Christopher Cascio about his current solo exhibition at Ivester Contemporary in Austin.

Lawndale has announced the artists selected by juror Daisy Nam for The Big Show 2022.

Jessica Fuentes and William Sarradet discuss the merits of the myriad women-only art shows that have come about in the last few years. 

The Chinati Foundation’s John Chamberlain Building has reopened, and several of Chinati’s and the Judd Foundation’s buildings have been designated as historic places.

Matthew Bourbon on a standout work by Robert Milnes

Today: Sunken signs

Fox creates corporeal hybrid creatures who enact universal themes of life — love, loss, rebellion, and sex.

The National Association of Latino Arts and Cultures, in collaboration with the Southwest Folklife Alliance, has announced an open call for the 2022 Catalyst for Change Fellowship program.

This week: a solo exhibition in Austin that investigates how humans shape the world around them, a group exhibition covering 100 years of Mexican photography in El Paso, site-specific sculptures by local artists in Houston, and more.

Colette Copeland visita la Kinfolk House, una nueva galería y espacio colaborativo en Fort Worth, Texas, fundada por Sedrick y Letitia Huckaby.

Allison Marino, a graduate student at the University of Texas at Austin, is the recipient of the 2022 Glasstire Central Texas Art Writing Prize.

In this essay, which won the 2022 Central Texas Glasstire Art Writing Prize, Allison Marino writes about 16th century maps included in the "Relaciónes geográphicas."

The Houston Parks Board, the Orange Show Center for Visionary Art, and Houston Independent School District have partnered to launch the city’s first Art Bike Festival.

Carris Adams reviews Project Row Houses' current exhibition, "Round 53: The Curious Case of Critical Race.... Theory?"

Mexic-Arte Museum staffers have levied accusations against the museum’s Executive Director and Board of Directors through a newly created Instagram account.

Ashley Allen reviews "Donald Moffett + Nature Cult + The McNay," on view at the McNay Art Museum in San Antonio.

Robert Arber, a Marfa-based printmaker who collaborated with Donald Judd, Elaine de Kooning, and Bruce Nauman, was recently featured in an exhibition at the Albuquerque Museum.