The Blanton Museum of Art at The University of Texas at Austin has announced the acquisition of two permanent installations by artists Kay Rosen and Gabriel Dawe.

Liz Kim writes about the work of Texas-based, Ghanaian-American artist Japheth Asiedu-Kwarteng.

Contemporary at Blue Star has announced Christie Blizard, Juan Carlos Escobedo, Theresa Newsome, and Rubio as its 2023-2024 Berlin Residency Program artists.

Christine Gwillim on the work and philosophy of postmodern choreographer and dancer Deborah Hay.

The Contemporary Arts Museum Houston and adidas Basketball will debut CAMH COURT, the first-ever playable basketball court installed in an art museum.

In the second part of his portrait series, William Sarradet profiles the artists, curators, volunteers, and other people who enliven South Texas' art community.

This week: a world-class collection show in Dallas, Contemporary Art Month takes over San Antonio, an artist highlights his "sputtering attempts" to create digital prints in Houston, and more.

The Briscoe Western Art Museum, a collecting institution located on San Antonio’s River Walk, has announced the details of its 2023 Night of Artists exhibition and art sale.

Caleb Bell recalls his recent visit to Lumiere, a mobile tintype portrait studio in Austin.

The Cabinet Oak Project announces the 59 artists selected to create works from a piece of historic oak wood, sourced from a large fallen limb of an oak tree that sits in front of the LBJ Ranch House.

Los Angeles-based artist Eamon Ore-Giron will produce a new artwork for Landmarks, the University of Texas at Austin’s public art program.

Hannah Dean on an exhibition that uses family history and archives to address issues of othering, belonging, narrative, and place.

Doug Welsh reviews an exhibition of hypnotizing ceramic sculptures and paintings in Houston.

The Fondren Library at Rice University in Houston recently acquired a functional replica of Romantic English polymath William Blake’s printing press.

Jessica Fuentes and William Sarradet discuss the art they saw and the art spaces they visited in Laredo, McAllen, Corpus Christi, Rockport, Harlingen, and beyond.

The Dallas Invitational Art Fair, organized by local gallerist James Cope, will debut next month alongside the Dallas Art Fair.

Next week marks the Texas premiere of A Desert of Pure Feeling, a documentary about the career of Robert Irwin.

Emma Ahmad reviews the exhibition "Stack and Smoosh," curated by Benjamin Terry and featuring work by Claire Kennedy, Niva Parajuli, and Megan Reed.

The Board of Trustees of The Chinati Foundation has appointed Caitlin Murray, the Judd Foundation’s Director of Archives and Programs, as the organization’s new Executive Director.

Barbara Purcell reviews a collaborative exhibition between artist and musician Daniel Johnston and his sister, Marjory, at Lydia Street Gallery in Austin.