William Sarradet

Two shows on the southern edge of the greater-Dallas area are on view, in varying states of air conditioning, through much of the summer.

The intensity of this particular collective experience is hard to convey to someone who wasn’t there.

Ex Ovo is the new curatorial and exhibition project of Dallas native Allison Klion.

In this podcast, Glasstire's William Sarradet catches some notable exhibitors at the Dallas Art Fair on its opening night, to chat about the art they're showing this year.

Three Belgians delegating the culture of the United States back to itself: that’s something to chew on.

Andrea Danchik and Ruth Salverda make compelling work that suits an online format. The trick might be, perversely, that they aren’t externally motivated by the potential riches of attention.

Is it redundant to show works from the same artists and series concurrently in the same zip code, or, in this case, does it expand the conversation about printed paintings?

A single pickup truck periodically drove by the gallery at a crawl, with its windows rolled down, playing music at a volume that was surely deafening for the driver.

"The artist as someone who needs to source material has always been a thing, but it has come into high relief in the art and technology space."

"You cannot replace a living animal with foam, which is what is inside of those. Do your best and let it go." 

Rawlings wants to walks us through what we’re looking at when we seek to be healed. 

"I don't even really think that mainstream advertising is trying to sell anything to a person like me."

You can’t find this anywhere else. Once you're here you’re family. I hope everyone realizes that.

If the collective is as ambitious as its leader (saying that he wants Meow Wolf to grow into a ‘billion dollar company’), then they probably want to get in front of their own narrative sooner rather than later.

"Despite Puerto Rico being a colony, the land grab has been happening slowly. This is it accelerating." 

For Arthur Peña’s most recent installment of One Night Only, his curatorial project that is as ephemeral as it is exclusive, performance artist-musician Francine Thirteen led a huddled congregation in a semi-religious service.

When I recall the spaces and people I’ve been fortunate to forge relationships with in the Dallas art community, I realize I probably moved here at the perfect time. It…

I'm rooting for the future of Taoka's work; let’s see how far he can take these compositions to insinuate or push against the notion of 'representation.'

"Authenticity is truly the cost of admission, not to mention the rent prices."