William Sarradet

William Sarradet writes about exhibitions at the Hamon Arts Library and Arc Gallery in Dallas and an open studio at 100 West Corsicana.

William Sarradet writes about two recent exhibitions in Dallas at the former Belmont Hotel and Zeke's Projects.

William Sarradet writes about recent exhibitions at the Irish Museum of Modern Art (IMMA) and Kerlin Gallery in Dublin.

William Sarradet writes about an exhibition at the Meadows Museum in Dallas, and Apple's "Severance."

William Sarradet writes about two exhibitions on view at Dallas College Eastfield Campus and Dallas Contemporary.

William Sarradet reviews a 25-year retrospective, a show of minimalist works, and encaustic abstractions in Houston, Dallas, and Fort Worth.

William Sarradet writes about artist resources available at public libraries in the metro areas across Texas.

William Sarradet writes about two exhibitions on view at Pencil on Paper Gallery and the Museum of Fine Arts, Houston.

William Sarradet writes about a group show of typographic work, a solo show of paintings, and an exhibition exploring Houston's water issues.

William Sarradet writes about the many art and culture moments he witnessed during 2024.

William Sarradet writes about the architecture, culture, and exhibitions of El Paso.

William Sarradet writes about two outdoor light-based festivals in Dallas, Texas and Sunland Park, New Mexico.

William Sarradet writes about two exhibition in Dallas at Sweet Pass Sculpture Park and the Nasher Sculpture Center.

William Sarradet talks with Alex Stock about Trans Pride Fest, creating spaces for community building, and how organizing music events has impacted their artistic work.

William Sarradet writes a Texas-based column examining urban themes in contemporary art through the lens of metropolitanism.

William Sarradet writes about the critically lauded play "Oh, Mary!" written by and starring American comedian Cole Escola.

William Sarradet interviews McKay Otto, a renowned painter based in Wimberley, Texas, known for his luminous, ethereal works that explore the nature of light and transcendence.

William Sarradet writes about art and experiences he encountered during the summer months of 2024.

William Sarradet writes about two exhibitions at Ivester Contemporary in Austin and the Old Jail Art Center in Albany.

William Sarradet writes about the material innovations of two exhibitions in Dallas at SITE131 and the Nasher Sculpture Center.