William Sarradet

These donations will eventually be turned over to artists who live at the intersection of poverty and marginalization.

The Dallas artist's single-channel video I Heart Micah is most positioned as a particularly Dallas story.

Yet another artist-run space is having its monthly performance blowout practically in the middle of the city.

Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.

Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.  

The work, commissioned by the Nasher, broadcasts recorded testimonies, primarily from women describing the positive attributes of the sperm donor profiles they’re perusing from a sperm bank.

During the opening, I saw no posted warning to the graphic nature of the content in the show.

Two exhibitions this season bring a new works by local artists to some still-fresh white-wall spaces.

Having easy answers to the riddle makes it a short riddle.

Glasstire's William Sarradet takes in The Other Art Fair's debut in Dallas, and speaks to some artist from Texas and beyond who have chosen to show their work there. 

Some thoughts on two shows I caught during a recent visit to SMU's campus.

Stained glass is ripe territory for a layered discussion on the meaning of ‘integrity.’

Two shows on the southern edge of the greater-Dallas area are on view, in varying states of air conditioning, through much of the summer.

The intensity of this particular collective experience is hard to convey to someone who wasn’t there.

Ex Ovo is the new curatorial and exhibition project of Dallas native Allison Klion.

In this podcast, Glasstire's William Sarradet catches some notable exhibitors at the Dallas Art Fair on its opening night, to chat about the art they're showing this year.

Three Belgians delegating the culture of the United States back to itself: that’s something to chew on.

Andrea Danchik and Ruth Salverda make compelling work that suits an online format. The trick might be, perversely, that they aren’t externally motivated by the potential riches of attention.

Is it redundant to show works from the same artists and series concurrently in the same zip code, or, in this case, does it expand the conversation about printed paintings?

A single pickup truck periodically drove by the gallery at a crawl, with its windows rolled down, playing music at a volume that was surely deafening for the driver.