William Sarradet

William Sarradet on "Root of Two," an exhibition by Israeli composer and sound artist Maya Dunietz at the Bemis Center for Contemporary Arts in Omaha, Nebraska.

Mientras otros mercados hacen distinciones entre las prácticas de estudio (bellas artes) y la artesanía (técnicas basadas en habilidades), en El Salvador la distinción parece ser más cercana a la de producción de arte plástico versus su fabricación.

In this portrait series, William Sarradet asks artists working in Texas the question, "As a contemporary artist, how is your practice shaped by current events?"

William Sarradet writes about a documentary series that follows a group of hopeful anarchists attempting to start anew in Mexico.

Today: Makeshift dresses of wire and mesh

In this portrait series, William Sarradet asks artists working in Texas the question, "As a contemporary artist, how is your practice shaped by current events?"

William Sarradet on exhibitions currently on view at the African American Museum Of Dallas, Ro2 Art, The MAC, and Samuel Lynne Gallery.

In this portrait series, William Sarradet asks artists working in Texas the question, "As a contemporary artist, how is your practice shaped by current events?"

William Sarradet interviews Jennifer Wester on the intersection of her art practice and her cultivation of art materials from native plants.

William Sarradet on recent exhibitions in Dallas at the Latino Cultural Center, 12.26, the Power Station, and Peter Augustus.

Today: Google Maps

En El Salvador, el orgullo nacional viene acompañado de crítica. Es otro más de los aspectos binarios del país: la invitación a discutir ansiedades muy personales, aunado con una intimidad asumida por el visitante.

The battle for who gets to claim the cultural capital of our cities is eternal, and it wages on in every zone of the city where something cool is starting to catch on.

William Sarradet reviews recent exhibitions at Sweet Pass Sculpture Park, Cluley Projects, and Nasher Sculpture Center in Dallas.

Today: Sunken signs

A recap of a performance by the Austin troupe Shaboom!, as part of Fusebox Festival 2022.

"This is the East Austin I remember during younger days of taking road trips to see obscure music in the state’s capital."

William Sarradet writes about five recent exhibitions in San Antonio, Austin, and Dallas.

The decision to comment or not comment on what is happening is now a constant, because the 24 hour news cycle has become global.

Whereas other markets make a distinction between a studio practice (fine art) and craft (skill-based technique), in El Salvador the distinction seemed to instead be closer to fine art production versus fabrication.