William Sarradet

In pictures, William Sarradet walks us through nine current gallery shows.

There are artists and events to pay attention to as we all work together to reconfigure the Texas arts infrastructure.

Holsonback’s work often pushes us to find the context for ourselves.

Disasters will continue to route the path of history, and Texas will continue to keep up. As you enjoy your holiday, here are some observations from our calendar’s perspective.

Glasstire’s events and social media editor William Sarradet traveled alone by car to Rockport, on the Texas Gulf Coast, to attend the 14th Annual Rockport Film Festival.

In spite of the aftershocks of Hurricane Harvey and a global pandemic, the concentrated art community in this coastal town has managed to keep the momentum of culture moving forward.

Big Tex is an abstract everyman who somehow manages to be nobody.

Berruguete’s contribution to this period of art history is an excellent case study of individual contribution versus cultural demand.

Clemmons’ reception on Gather.town recalled the playable chat rooms of the past.

This summer group show presents a timely visual conversation.

This is a list of songs that pull me out of the void while we wait for whatever new “normal” comes to be.

This is a list of songs that pulls me out of the void while we wait for whatever new "normal" comes to be.

These donations will eventually be turned over to artists who live at the intersection of poverty and marginalization.

The Dallas artist's single-channel video I Heart Micah is most positioned as a particularly Dallas story.

Yet another artist-run space is having its monthly performance blowout practically in the middle of the city.

Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.

Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.  

The work, commissioned by the Nasher, broadcasts recorded testimonies, primarily from women describing the positive attributes of the sperm donor profiles they’re perusing from a sperm bank.

During the opening, I saw no posted warning to the graphic nature of the content in the show.

Two exhibitions this season bring a new works by local artists to some still-fresh white-wall spaces.