For the third year in a row, Trump’s proposed budget seeks to entirely eliminate the National Endowment for the Arts and National Endowment for the Humanities.

Day three of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Jill Schroeder, Jumper Maybach, and Kyle Heinly.

On the eve of International Women’s Day, the McNay Art Museum in San Antonio launched a series of lectures by dynamic women.

Yesterday a new Texas-sized portrait of presidential hopeful Beto O'Rourke was unveiled near Austin's Austin-Bergstrom International Airport.

The workshop is specifically geared toward teaching attendees how to make bones — a sculptural form that often anchors Kopriva's work.

This isn't the first time in recent years that The Modern has curated artist submissions for an exhibition-related project.

Does the word “background” in Horn’s description of her use of language here as “background noise” really indicate an auxiliary purpose? I don't believe it.

The Creative Independent has recently published a truly readable step-by-step, how-to guide titled "A smart artist's guide to income taxes."

Day two of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Michael Anthony García, Nicole Goodwin and Elizabeth Axtman.

Austin's program that commissions and oversees the city's public art recently announced an open call for a mosaic artwork that will be located in south central Austin.

Day one of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Julia Claire Wallace, Quinn Dukes, and Henry Sanchez.

Now in its fifth year (and with a growing number of applicants), 100W actually selected fewer residents for the residency sessions that take place in 2019, allowing individual artists and writers more time to use the organization's writing and art studios.

"As the largest community on the US/Mexico Border, El Paso provides a unique opportunity for us as museum professionals to explore how location can inspire programming as well as drive conversations within our museums and communities."

Though the website was made with Houston in mind, its advice and guidance can be universally applied to artists and other organizations who are in harm's way.

Brandon Zech is with guests Adrian Aguilera, Tammie Rubin, and Betelhem Makonnen to talk about their show in Austin called constant escape, an important group show in College Station, and an alternative art fair called Satellite.

The 40th anniversary group show will feature works by more than 56 gallery alumni (1978 – 2018), who will come together to share their latest work and celebrate 500X.

For its Diverse Discourse program this spring, DiverseWorks presents poet, cultural organizer and activist Sonia Guiñansaca.

Because this is Satellite's first fair in Texas, and because the organization has done its homework via some strong Texas connections, Glasstire has partnered with Satellite and will be on site recording a podcast throughout the fair's duration.

In her interview, Ms. Knudson talks about the similarities and differences between Houston and Los Angeles, and how Glasstire has evolved over the years.

“I’m not a storyteller. I’m an imagemaker. The story is made in the mind of the viewer.”