Brandon Zech

This week, The Andy Warhol Foundation for the Visual Arts announced the recipients of its fall 2018 grants.

Two Texas institutions are getting curators who have a great appreciation for Texas art and artists.

One of the drawbacks of Flatbed's move, even though the press will be sharing the space with another tenant, is that it will have fewer galleries and artists as neighbors.

The program, which is organized around the theme of ecology, will feature the openings of the Moody Center's spring art exhibitions, film screenings, and a keynote lecture by Rice University professor Timothy Morton and artist and performer Laurie Anderson.

All GAR residents receive a studio, an apartment, a $500 travel stipend, and a monthly stipend of $1000.

Covering subjects ranging from the Alamo, to the Battle of San Jacinto, to the role of women on the Texas frontier, the museum's Historically Speaking Lecture Series will expand on moments and concepts that are already well-represented in its collection.

Sir David Adjaye and his firm, Adjaye Associates, may best be known in the US as the architects behind the recently opened Smithsonian Institution National Museum of African American History and Culture in Washington D.C.

Rainey Knudson's lecture will cover what it’s like to write about art in the digital age, and how that has changed since she established the publication in 2001.

R. Scott Blackshire brings with him a wealth of real life and academic experience: he recently graduated with a PhD in Performance Studies from The University of Texas at Austin, and prior to that, he earned undergraduate and master's degrees in opera performance.

Of course, Austin's boom hasn't just affected artists.

Protest posters and banners have often been of interest in the contemporary art world.

Open to any and all artists working in media within the HCCC's mission (wood, glass, metal, fiber, clay, and mixed media), the program offers studio space and professional development opportunities in exchange for being present for the community.

The Visual Arts Alliance, a Houston nonprofit organization dedicated to building a constructive community and resource pool for artists, has announced that it will be presenting a conversation between Houston artist…

Located on Rauschenberg’s former property on Captiva, an island just off the west coast of Florida, the Rauschenberg Residency takes cues from the artist's formative time at Black Mountain College.

Austin's Art in Public Places, the city's program responsible for commissioning and managing public art around Austin, currently has myriad open calls for temporary and permanent artworks.

Returning this year is PrintAustin's steamroller print event, during which large-scale woodcuts are printed using a steamroller instead of a press.

The residency program, which is now in its seventh year and facilitated by Blue Star in partnership with Künstlerhaus Bethanien in Berlin, Germany, will give four artists the opportunity to live and work in Berlin for three months.

While this year's lineup so far includes national and international acts, the festival also features many emerging local and regional performers, fulfilling the organizers' mission to foster local talent.

The Fluxus spirit of Mr. Friedman's score is alive and well today, although his piece takes many more forms now than phone calls.

The complex includes modular exhibition and performance spaces, along with areas for meetings, research, and relaxation, and an adjacent building holding a studio and living space.