Essay

Liz Kim nos cuenta de su reciente visita a Laredo y habla de los esfuerzos de una nueva organización por fortalecer los programas de arte en la ciudad.

Ruben C. Cordova on a pertinent painting by San Antonio-based artist Albert Alvarez.

Bucky Miller recalls his first few weeks of the pandemic, including a visit to Pie Town, New Mexico.

Ashley Allen reflects on her recent summer in Berlin, her culture shock, and how she embraced the sense of being out of place.

Mientras otros mercados hacen distinciones entre las prácticas de estudio (bellas artes) y la artesanía (técnicas basadas en habilidades), en El Salvador la distinción parece ser más cercana a la de producción de arte plástico versus su fabricación.

Sean J. Patrick Carney habla sobre cómo la historia de los muchos mesías de Texas se une con la vida, la obra y el ethos de Donald Judd.

Liz Kim recounts a recent visit to Laredo and discusses a new organization's effort to bolster arts programming in the city.

Jessica Fuentes on how co-curated exhibitions help broaden museums' perspectives.

Ruben Cordova writes about two paintings by artist Adan Hernandez and discusses how the works relate to the U.S.' recent history of immigration policies.

Sean J. Patrick Carney habla sobre la historia de los muchos mesías de Texas y la relación entre la superstición y la religión.

Sean J. Patrick Carney on how the history of Texas' many Messiahs ties in with the life, work, and ethos of Donald Judd.

Barbara Purcell on two exhibitions at Blue Star Contemporary in San Antonio that feature artwork about and by U.S. service veterans.

Sean J. Patrick Carney on the history of Texas' many Messiahs, and the relationship between superstition and religion.

Jessica Fuentes discusses the significance of the newly opened Molina Family Latino Gallery at the Smithsonian National Museum of American History.

Lauren Bock looks at Teresita Fernández's lobby installation, "Stacked Waters," at the Blanton Museum of Art.

Caitlin Duerler Chávez visits three art exhibitions at the University of Houston Clear-Lake, and also writes about the school's public art.

Colette Copeland writes about the exhibition "This is Ukraine: Defending Freedom," which is currently on view in conjunction with the Venice Biennale.

Husna Krueng, an 8th grade student at Tanglewood Middle School, writes about Juame Plensa's "Tolerance" sculpture in Houston.

Artistic and religious spaces are both deeply rooted in culture, and as religious beliefs and opinions become more and more entrenched, maybe art is one place where we can come together to reveal our common humanity.

Colette Copeland compiles a list of artworks from the Venice Biennial she would like to see in her local Texas museum.