Feature

I continue to drive down the highways and back roads, as if they are the pages of a book, reading America one town at a time.

The President wants to ruin your summer. Don't let him.

Ledvina's works, described by the artist as his closest friends and worst kind of therapist, are enthralling. 

Because I’m such an interesting person, this review has no thesis, and your mind should still be blown.

I attended CineMarfa back in May. It was my second year to attend the tiny annual film festival held in its namesake town, and I’m so impressed with the instincts…

Painter Ana Segovia of Mexico City has been in Austin through July, participating in the Unlisted Projects Residency as hosted by the Museum of Human Achievement.

Christina Rees and Christopher Blay on works by a newly minted DFW artist, sinister photographs in Austin, and an artist who plays with Moon-landing paranoia.

From Tokyo, Nikko, Kanazawa, Kyoto, Nara, Koyasan, Kawazu, and back to Tokyo again, the thoughts and stories played in my mind as I’d draw.

Speeding Motorcycle is a testament to Johnston’s singular, off-kilter genius, and also to the Catastrophic Theatre’s ability to refract a story of unrequited love into a radiant, immersive spectrum of sights and sounds. 

In this Art Dirt podcast Brandon Zech and Christina Rees talk about what makes each of Texas' distinct art regions tick. 

Maybe it’s a coincidence, and surely there is lots of environmentally minded work out there at the moment, but this trend could also represent an emergent point of view for the Lubbock art space.

Summer Special! Christina Rees and Brandon Zech run down some of their favorite contemporary and historical artworks about snow and ice.

Horn’s works argue an essential point: the pursuit of truth through knowledge is a quixotic endeavor.

As an artist, educator, and civic leader, Cooke’s impact continues to reverberate within Lubbock as a whole.

The finished structure indeed has the gravitas of a temple, and is as much a work of art as the collection it houses.

What is a Whitney Biennial without a little controversy? Perhaps it’s a modest curatorial achievement that deserves great praise.

The exhibition asks us to consider queerness not so much as a static definition, but instead through the lens of a dynamic, ever-evolving narrative.

Christina Rees and Brandon Zech on a Dallas show you may need to see for yourself, a discovery in Waxahachie, and a long-overdue solo show for a San Antonio favorite.

Given the almost aggressive blandness of so much of the artist’s subject matter coupled with the relatively generic facture of the paintings, we might find ourselves a bit hard-pressed to know exactly what to make of this show or why the museum has chosen to anoint Wood with its institutional imprimatur.

Two shows on the southern edge of the greater-Dallas area are on view, in varying states of air conditioning, through much of the summer.