Preview

Peter Lucas writes about a newly restored film classic that is screening at the DeLuxe Theater as part of the Houston Cinema Arts Festival.

Brenda Melgoza Ciardiello writes about the nuances of Latinx identity, as seen in the work of the Texas-based participants in "Flow State," El Museo del Barrio's 2024 Trienal.

Brandon Zech and Gabriel Martinez discuss their anticipated fall exhibitions in Texas, including a major survey of an important Texas artist in Houston, a homecoming for a Dallas-born artist at the Nasher Sculpture Center, an exhibition in San Antonio highlighting an influential Chicana artist, and more. 

Joseph Staley previews a show of paprika-infused drawings and resin cast books by Joe Havel on display at the Hôtel Tingry in Ménerbes, France.

Caleb Bell previews the tenth anniversary of "True North," an annual sculpture show featuring artworks installed along Heights Boulevard in Houston.

Caleb Bell on artist Jeffie Brewer's return to his hometown of Palestine, Texas.

What’s clear is that the artist is deeply attuned to the nuance of profiles, surfaces, and material transitions, as any good sculptor should be.

Caroline Frost reviews the exhibition "Connective Tissues: Printed and Published," on view at the Visual Arts Center at UT Austin.

The documentary is unapologetic about its mission of decolonization, and presents one of the most clear-eyed articulations of the concept I've encountered.

“It’s this weird duality. Art spaces are falling away, but at the same time, we’re creating more access points.”

The crux of the collaborative practice of Gaye Lynn and Michael Hodgson, over thirty years in the making, is that eating and drinking is a performative act that should be honored.

I made sure prior to the Austin screening to post on social media jokes about no one wanting to go with me, to secure that I couldn’t bail the day of, like a poser. What is the purpose of depicting such misery, especially in almost real time (sometimes in a surreal, slower than real time)?

The documentary acknowledges one woman’s noble act of refusal to let the flow of ephemeral media go unquestioned.

Magee has been discriminatingly ubiquitous for decades

For both Reuter and Rockport, the show is a kind of homecoming —  a way to honor and engage with an already tight-knit community that endured a painful and life-altering event.

The finished structure indeed has the gravitas of a temple, and is as much a work of art as the collection it houses.

This broken landscape of self-involved cluster-narratives reflects our contemporary culture scarily well.

The infamous film documents the 1972 U.S. tour of rock group the Rolling Stones; it has never been officially distributed theatrically or released on any home-video format.

There’s something at the core of Blake's creative process that has allowed him to simultaneously construct and live within varied imagined musical worlds: cinema.

Webb has come to 100W to conjure and divine the history and lingering presence of Navarro County African-American psychic Annie Buchanan.