Review

Many of us think this is finally the time we will complete our Major Project. I suggest a more modest goal: watch art films you were too tired or busy to watch in the past.

Renner, like Tinguely, not only makes use of cast-off materials; he loves them.

The show's theme serves as a curatorial excuse for presenting new and compelling work together in the same room — and sometimes an excuse is all one needs.  

This show is bracingly unsparing and unsentimental.

The Dallas artist's single-channel video I Heart Micah is most positioned as a particularly Dallas story.

The show of 1990s fashion at the McNay in San Antonio makes me wonder if, even as the digital revolution has sped things up, our collective progress has slowed tremendously.

Back rooms in galleries are difficult spaces for artists. Always cul-de-sacs, they are usually the smallest spaces and contain work by either the young and up-and-coming or by artists who…

What makes the exhibit unique is that it moves beyond Day of the Dead as tradition to include artwork that explores death in Mexican folktales and the interplay between the sacred and the secular.

We can be taught to understand the world in new ways, starting with how we understand art.

The obvious connection between Larkey's formal play and language are the echoes of text — the line from written language rerouted into sensory objects

The work, commissioned by the Nasher, broadcasts recorded testimonies, primarily from women describing the positive attributes of the sperm donor profiles they’re perusing from a sperm bank.

Two stellar but very different exhibitions in Lubbock for its First Friday Art Trail in January hit upon eco-centric themes.

In the survey up now at the Blaffer, we feel the myriad ways in which this young gay black man grapples with representing his identity, and that representation’s relationship to art history.

The curator dates the beginnings of a focus on the “complex relationship” between contemporary art and anthropology to the early 1990s.

Libertad, Menchelli and Moody Castro not only restructure the roles they play in the making of the show, but they also unfurl the medium, and persistently inhabit the in-between.

The three shows form a remarkably detailed and cogent meditation on power, spaces, and relationships.

The grandeur of the work gives the viewer a God’s-eye view of things — a perspective that feels omniscient and timeless, yet the theatrical components remind us that we are each playing our parts.

One of the revelations of this exhibit is how various visual artistic movements throughout the 20th century are physically manifested and demonstrated through theater and performance. 

I’d guess that not many Texans have seen a live Kabuki theater performance, but for the next few weeks at Houston’s Asia Society, you can get pretty darn close.

Glasstire staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for 2019.