Lydia Pyne

Works from a diverse set of artists in the United States, Latin America, and Brazil showcase the many ways that artists in the mid-20th-century Americas experimented with light, color, and materiality.  

This is a book about the hidden, captivating, complex lives of portrait sitters and how history has — or has not — remembered them.

I remember when Nicole Tersigni’s thread of portraiture-based mansplaining memes started popping up in my Twitter feed last year. I laughed until I cried.  

Not only does our constant upgrading fundamentally impact our perception and experience of time, but it shapes how we document and share ourselves as well as our legacies.  

Mushrooms — especially in conjunction with Cage’s life, compositions, and approach to music theory — are full of metaphor. 

Latin American voices became the epicenters for powerful, far-reaching intellectual projects in the mid- to late-1920s, like the Peruvian magazine Amauta.

Drawing from the Morgan Library & Museum’s stunning collection, Medieval Monsters examines the monstrous through three specific themes: terrors, aliens, and wonders.