Natalie Hegert

Natalie Hegert reviews a group exhibition featuring five artists who explore the "politics, aesthetics, and experience of belonging."

Natalie Hegert reviews three exhibitions in Lubbock that highlight and exalt the invisible labor done by woman artists.

Natalie Hegert on the challenging and reflective work of San Antonio-based artist Gabi Magaly.

These works are delicate but not fragile, bringing to mind the slogan by queer publisher Genderfail: "radical softness as a boundless form of resistance."

East recently launched a Kickstarter to raise funds for a new art space she wants to erect in historically black East Lubbock: the East Lubbock Art House.

Lubbock is kind of on a roll right now.

Maybe it’s a coincidence, and surely there is lots of environmentally minded work out there at the moment, but this trend could also represent an emergent point of view for the Lubbock art space.

Minor quibbles aside, this series is remarkable for its ambition, rigor and depth.

TTU's Land Arts program retains an independent spirit, ranging out there in the field and on the road, stopping just long enough to show us some of the artworks it has inspired along the way.

Simpson's work combines the keen eye of a naturalist, the sharp mind of a researcher, the activist impulse of social practice, and the immersive monumentality of installation art.

The works and artists included in this exhibition create a compelling thesis on the specific art historical influences, cultural confluences, and aesthetics of this west Texas city.

Here lies a narrative of loss, identity, resilience, and vulnerability, that many will find relatable to their own personal stories.

"People here in the U.S. are anxious to fulfill their dream, but it is realized in an abbreviated or distorted form."

“It's always been in the hallway, but it has a great reputation nationally as a place for a solo show.”

In his work, Arnall tries to come to terms with the long history of American traditions of erasure and violence, through links to his own family.

The show gathers together a trove of work from many young Texas-based artists, along with their peers from across the country, and aims to represent the inherent 'untruth' of photography.

The intimate understanding that resulted between Briggs’ and Strand’s works is something that the viewer won't grasp on a surface level. It’s deeper and intuitive.

Plainview, Texas doesn’t seem a likely site for a new contemporary art museum, but on November 10 the town will inaugurate CAMP — the Contemporary Art Museum Plainview.