This week: the fall of civilization in Lubbock, trespass in Galveston, and sanctuary in Dallas.
lhuca
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This week: summer group shows in Austin and Houston, a trip to Lubbock, and pandemic-loomed work in San Antonio.
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It makes sense that many of the current art offerings touch on themes from the pandemic: physical connection, mundane domesticity, and mental health.
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Whether I loved what I saw or not, being in this setting felt like entering sacred grounds after being cast out for too long.
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Brandon Zech and William Sarradet on some tricky architectural paintings, a Dallas cohort in the Panhandle, and fantastic use of an unexpected space in Houston.
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The 2020 holiday season will be unusual as we try to survive the global pandemic. One bright spot during during this time, however, is the list of mostly virtual craft…
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These works are delicate but not fragile, bringing to mind the slogan by queer publisher Genderfail: "radical softness as a boundless form of resistance."
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News
Lubbock’s Louise Hopkins Underwood Center for the Arts Announces Mural Open Call
by Glasstireby GlasstireThe building is on LHUCA's campus, in the popular arts district of Lubbock.
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Two stellar but very different exhibitions in Lubbock for its First Friday Art Trail in January hit upon eco-centric themes.
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Disparte adopts the grid as an artistic convention while simultaneously disavowing it.
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Maybe it’s a coincidence, and surely there is lots of environmentally minded work out there at the moment, but this trend could also represent an emergent point of view for the Lubbock art space.
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Minor quibbles aside, this series is remarkable for its ambition, rigor and depth.
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For a casual observer or pedestrian, the spaces Hegert calls into focus go unseen.
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Before accepting the position as LHUCA's executive director, Ms. Maestri served as the institution's community engagement manager and interim director.
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Here lies a narrative of loss, identity, resilience, and vulnerability, that many will find relatable to their own personal stories.
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Photos by Jennifer Battaglia The Louise Hopkins Underwood Center for the Arts often hosts up to four exhibitions at a time in its Lubbock Cultural District space. The following works are…
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In his work, Arnall tries to come to terms with the long history of American traditions of erasure and violence, through links to his own family.
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Drive By
Sara Waters at the Louise Hopkins Underwood Center for the Arts
by Hannah Deanby Hannah DeanThis is deliberate order and staccato, not like a map, but rather like the rhythm of a day: the ebb and flow of hunger, thirst, fatigue.
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Review
Cody Arnall’s “Who’s Got a Price on Their Head?” (vs. the Selfie)
by Hannah Deanby Hannah DeanThe violence that we enact upon each other, re-contextualized by a viewer as not only non-threatening but as photo-op decor, is a pretty heavy way to ponder aggression and suffering in the chronic sense.
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Fuentes’s sweeping calligraphic strokes snake along the paper, ambling along until their next clash.