Feature

Jessica Fuentes reviews "Unseen," a solo show by Sharidyn Barnes at Daisha Board Gallery.

Rediscovering pictures of Houston's Galleria sent me spiraling back over the madness of the past two years. This, in turn, made me wonder what other lost photographs I could unearth from the depths of our first quarantine.

A video exhibition tour of two shows at Plush Gallery in Dallas.

"Of course, it means so much to me that the piece is now rolling along once again. After being at the site recently in its departure and refurbished return, I was very heartened that people are still embracing and curious about the work."

Through detailed, carefully crosshatched renderings, Charles White illustrates the strength and perseverance of Black women. Juxtaposing the figures with symbols of fragility and femininity, he reminds the viewer of the humanity of his subjects — something that is too often set aside when upholding our heroes.

A video exhibition tour featuring artworks by Milton, Sally Michel and March Avery at Jody Klotz Fine Art in Abilene, Texas.

Jessica Fuentes, William Sarradet, and Brandon Zech discuss artist Andres Serrano's new found footage film.

Today: Marbles

Part two of Leslie Moody Castro's reflections on her recent visit to the NART Residency, which is located in the Estonian border town of Narva.

Christian Cruz collapses Brancusi’s "Endless Column" and the myth of Sisyphus into a story of unrecognized labor.

This week: Pop gets political in Austin, an annual juried LGBTQIA+ exhibition in Dallas, transborder art in El Paso & more.

A video tour of artist Greg Edmondson's exhibition at The Cole Art Center at Stephen F. Austin State University in Nacogdoches.

“Many people think photography is realistic. I think it lies. I am often astonished to see something after I have seen a photograph of it. Often it isn’t accurate. It can be quite a bit different from the real thing.”

While much has been written about Milton Avery’s work, I was unfamiliar with that of his wife and daughter. In researching their work, I became aware of what has been termed the “Avery style”.

"With his sculptures, including wall-dependent works, Glentzer often juxtaposes delicacy and tensile strength. His colorful, slender forms and barely tethered lines dance joyfully through space, sometimes disrupting perceived edges."

Today: Curved paintings

Lauren Winchell Bechelli firmly believes in the impossibility of specificity. Her artworks are undecipherable composites of old ideas made new again.

William Sarradet writes about recent San Antonio art exhibitions, performances, art walks, and more.

Leslie Moody Castro on how a trip to the Estonian border town of Narva brought up memories of her family and life on the U.S.-Mexico border.

The narrative is intriguing and can be contextualized as part of a larger movement of revisiting and investigating the lives and work of women artists who have been overlooked, undervalued, and sometimes completely forgotten by the art historical canon.