Feature

If one is hoping to come down from stress of daily existence, two concurrent exhibitions at Artspace111 in Fort Worth could do the trick.

Day three of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Jill Schroeder, Jumper Maybach, and Kyle Heinly.

This article is published concurrently with the Spring of Latino Art and the Latino Art Now! (LAN) national biennial conference and related programming taking place in Houston during the springtime of 2019.

Does the word “background” in Horn’s description of her use of language here as “background noise” really indicate an auxiliary purpose? I don't believe it.

Day two of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Michael Anthony García, Nicole Goodwin and Elizabeth Axtman.

Day one of Glasstire's on-location podcast from the 2019 Satellite Art Show features talks with Julia Claire Wallace, Quinn Dukes, and Henry Sanchez.

Brandon Zech is with guests Adrian Aguilera, Tammie Rubin, and Betelhem Makonnen to talk about their show in Austin called constant escape, an important group show in College Station, and an alternative art fair called Satellite.

“I’m not a storyteller. I’m an imagemaker. The story is made in the mind of the viewer.”

Andrea Danchik and Ruth Salverda make compelling work that suits an online format. The trick might be, perversely, that they aren’t externally motivated by the potential riches of attention.

"I admire the reverence indigenous art forms have toward the natural world. My work explores surface design that only tries to capture the perfection that already exists in nature."

The information we receive through images is coming at us with unprecedented velocity. Details are lost, and reactions are often instant: Threat or No Threat?

Rainey Knudson and guest host Joe Arredondo are in Lubbock, discussing a standing-room-only gallery at TTU, contemporary art by Caddo Nation artists, and the legacy of the controversial Documenta 5.

For No Idea, performers from around the country and the world perform multiple times in different collaborative configurations, giving the festival a freewheeling and communal atmosphere.

Listening to a house singing to itself is, quite simply, a magical experience.

"I have come to realize that my ideas are lodged in my body and the more I move the more my ideas present themselves to me."

For the past 24 years, Gallery 414 has survived the rise and fall of other art spaces in the city, and served as a proving ground for artists and curators alike.

Christina Rees and Brandon Zech are in the Rio Grande Valley this week, and are also talking about some shows in Houston, San Antonio, and Corpus Christi. (And a dubious art term).

I think I’m failing Christie Blizard. 

If sharing these stories in another language can somehow build bridges among human beings, then we must do so.

Ed. note: This video was part of the recent two-person exhibition by Dallas-based artists Carolyn Sortor and Michael A Morris titled Working Groups, on view in Dallas at the relaunch of the non-profit space, The MAC.