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This week: optical illusions in Houston, a group show exploring drawing in Dallas, a self-taught artist in Beaumont, and more.

Barbara Purcell on an exhibition that examines the wide-ranging effects of land use in West Texas

Megan Wilson Krznarich on Colette Copeland's familial connection to one of America's most infamous outlaws.

Jessica Fuentes discusses the significance of the newly opened Molina Family Latino Gallery at the Smithsonian National Museum of American History.

Jessica Fuentes on three works from the show “Outwin 2022: American Portraiture Today,” currently on view at the National Portrait Gallery in Washington, D.C.

"The flag means many things to me, including the freedoms bestowed upon me to create artworks using the flag."

For the Fourth of July, Jessica Fuentes and William Sarradet discuss recent Texas exhibitions in which artists made work about what it means to be an American.

"I believe that one of the most important aspects of my work is reciprocity. In essence, this is at the heart of all healthy human relationships: we nurture, learn, create bridges of dialogue, and as creative people we collaborate."

Liz Kim reviews "Uncovered Spaces," an exhibition centered on female and LGBTQIA+ artists at the International Museum of Art & Science in McAllen, Texas.

This week: works by a notable Texas art professor and his student in Tyler, whimsical soft sculptures in Dallas, two abstract solo shows by Latin-American artists in Houston, and more.

Caleb Bell talks with Joseph Havel about his retirement from the Glassell School of Art, his collaborations with his pet parrot, and his band.

Today: Google Maps

Michael Flanagan looks at the work and ideology of artist Uriel Landeros, who is best known for spray painting over a Picasso at the Menil Collection in Houston.

Colette Copeland interviews Delita Martin about her artwork, her foundation supporting artists, and her participation in the Venice Biennial.

Lauren Bock looks at Teresita Fernández's lobby installation, "Stacked Waters," at the Blanton Museum of Art.

This week: an big annual group exhibition in Houston, international postwar works in Dallas, a solo sculpture exhibition in Austin, and more.

Melissa Gamez-Herrera reseña la exposición de Karla García, que usa los cactus de cerámica como una metáfora de la vida en la frontera Estados Unidos-México.

A video tour of artist Sarah Williams' show at Moody Gallery in Houston.

Jessica Fuentes on solo exhibitions by Dontrius Williams and Christopher Knowles at Arts Fort Worth.

Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.