Feature

I have been waiting to see the Orson Welles’ film 'The Other Side of the Wind' for more then 20 years.

Simmons’ work spans decades now, and reverberates with the politics of feminism and Simmons’ poignant and focused scrutiny of gender roles — both from intentional observations, and as a result of politics catching up to her photographs.

This show serves as a reminder that the ancient and eternal axis mundi can become available anywhere we choose to excavate it.

The works in the exhibition swing like a pendulum between internal perceptions and the acknowledgment of external ones. 

David Hollander’s rigorous investigations of the golden age of library music is evident in his book — a fantastic, accessible introduction to this hidden history.

Christina Rees and guest Shelby David Meier on a mashup in the Panhandle, the Menil's new Drawing Institute, and a reminder that Meier was once Rees’ favorite student.

“I really want to shed light on [that type of] injustice and how that interlaces into policies of today; immigration today.”

There is great value, Hudnall stresses, in creating artistic documentation of the everyday people and activities in one’s own community.

Parker's show is a wealth of deeply considered ideas about communication, vulnerability, violence, power, and authority.

Glasstire presents the prizewinning entry of the inaugural Glasstire Art Writing Prize, which was open to college students in the North Texas region. Melanie Shi is a philosophy major at the University of North Texas in Denton. 

In 2007, Houston artist Bob Fowler published a how-to book. “Needing a quiet place to draw is a pleasant myth invented by Sunday painters, bless their hearts.”

My friend summed it up succinctly by stating: “There’s no Vegas here.” 

Olivia's solo show has a feather touch that allows deeper conversations to surface.

"You cannot replace a living animal with foam, which is what is inside of those. Do your best and let it go." 

Christina Rees and Brandon Zech on Austin’s biggest annual art event, an explanation of Yellow City Art in the Texas Panhandle, and a new CAMH show that’s grabbed our attention.

“I think it’s probably the work that people are least interested in.”

"You either vote by voting, or you vote by staying home and tacitly doubling the value of some Diehard’s vote."

A massive group show in two San Antonio venues, curator Risa Puleo assembles a dazzling array of artists living or having histories in the corridor of the Monarch’s path.

“I knew right then I had to find out what was really going on in this place. I had to stay right here. Never made it to California.”

'Selected Writings by Dick Higgins' ain’t everything that Dick wrote, but it’s the cream of the crop. If you’re looking for a crash course on 1960’s experimental art straight from the horse’s mouth, this would be a heck of a start.