Feature

This week Alejandro Diaz channels Aesop recalling the 1997 Jesse Amado show at Sala Diaz, while Jesse Amado takes us back to Madrid for ARCO 02.

Revier’s show has the capacity to illustrate Texas’ relationship to the rising tides of change, with the nuance that only an artist could muster.

This week: a force field in Houston, a magazine's history in Dallas, and plenty of fur in San Antonio.

I feel lucky to be able to finally sit and chat with Ana Hernandez. After selling out her show Let Them Eat Cake at San Antonio’s AnArte Gallery, she’s preparing…

Today: Cool cats

Without a doubt I have learned more from Bartlett rather than the other way around.

The exhibition combines ten of Frankenthaler’s prints (and six of her proofs) with several other artists’ works from the 20th and 21st centuries.

These stories, and those that follow, paint a picture of an artist-run-space of humble beginnings — grass roots that will never harden into an institutional surface.

In his 1960 essay, Modernist Painting, Clement Greenberg writes, “With Manet and the Impressionists the question ceased to be defined as one of color versus drawing… and became instead a…

This week: die laughing in Houston, bombs and border crossings in El Paso, and a new space opens in Fort Worth.

"I wanted this work to be enveloped in Mexican and American pop culture." 

"I was looking for a way to enter into a century-long fight that encompassed thousands of locations, women and people."

William Sarradet and Brandon Zech discuss the rise of NFTs as online avatars, digital projects by Tom Sachs and Damien Hirst, and advertising's infiltration into the metaverse. 

This year’s Texas Biennial, titled "A New Landscape, A Possible Horizon," is now on view across five sites in San Antonio and Houston.

Christina Rees and Brandon Zech walk you through the Texas shows they’re most excited about seeing this fall art season.

There is an absolute serenity, but things are happening.

"KBART is a low-power FM radio station filled with voices from the community, ranging from age 9 to 92."

Menchaca keeps expanding their vision and method.

The works featured in this exhibition range from China and India to present day Nepal, Sri Lanka, Thailand, Cambodia, Korea, and Japan.

"Christo and Jeanne-Claude have always made clear that their artworks in progress be continued after their deaths."