Grease Pour
I've reverse-engineered my way through art history, while maintaining a mild obsession with Smithson and his work. It’s his fault I poured all that grease.
Three Walls at Sala Diaz: ‘Under the Gun’
How to make art in this operatic ambience and grim reality of actual deportations, bombings, and general governmental reactionary cruelty?
Art Dirt 8: Sex Robots, Scaramucci’s Mark Twain Tweet, When Artists’ Ideas Are Stolen
Christina Rees and Rainey Knudson discuss this week's art news.
Comes To Light: Rolando López, ‘Dark After Art’
I’m going to stop right there. Please stop reading and go.
The Unnameable: Send Me SFMOMA
My silly prodding created an opportunity for a profound and provocative response from the museum.
Glasstire Top Five: July 20, 2017
Christina Rees and Brandon Zech on art you can drink from, art you can sink into, and a museum of toilet seats.
Why this Year’s Galveston Artist Residency Exhibition is Different
For three artists so deeply tapped into the cultural consciousness to collectively experience an event as monumental as the election of Donald Trump, bonding and the sharing of a common sense of urgency seems inevitable.
Bruno’s Steel House
I wondered if the house was merely unfinished, or if the entire premise had become unresolvable.
Betsy Huete’s ‘Big Show’ Top Ten of 2017
For all the controversy that comes along with using Toby Kamps as juror, the payoff is huge.
