Feature

William Sarradet interviews artist Kris Pierce about his multimedia exhibition on view at the Galveston Arts Center.

This week: a group show exploring family archives in Houston, a participatory sculptural installation in Austin, a look at a significant Texas artist and his influence on his students in San Angelo, and more.

Rosa Boshier reviews an exhibition featuring work by Ciara Elle Bryant, Tanya Habjouqa, Mari Hernandez, and Letitia Huckaby.

Garland Fielder on the tireless, cathartic work of Philip Guston.

Ashley Allen reviews an exhibition about the life and legacy of La Malinche, on view at the San Antonio Museum of Art.

Brandon Zech and special guest Pete Gershon discuss the history of Houston's artist-run spaces, and also talk about Gershon's new position as Curator of Programs at the Orange Show Center for Visionary Art.

Leslie Moody Castro recounts her visit to the site-specific, large-scale artwork by Anselm Kiefer at the Doge's Palace in Venice.

Ruben C. Cordova on the life and career of artist Meret Oppenheim.

This week: a show of Texas artists from a private collection in Dallas; a retrospective of works by a prominent artist, curator, collector, and patron in Victoria; an exploration of the American West and Anglo-American masculinity in Marfa, and more.

Colette Copeland charla con el artista Juan Carlos Escobedo sobre su proceso, su práctica y su reciente exposición en el Galveston Arts Center.

Bill Baird reviews a collaborative exhibition by stalwart Texas artists Jeff and Bryan Wheeler.

Jessica Fuentes talks with John Rohrbach, Senior Curator of Photographs at the Amon Carter Museum of American Art, about the exhibition he co-curated with Diné photographer Will Wilson.

Nico Silva interviews artist and cinematographer Jazmin Ontiveros, who is currently an artist-in-residence at the Border Art Residency in El Paso.

Today: Classroom ruins

Barbara Purcell on Barry Stone's uncanny photographs.

Writer and curator Leslie Moody Castro writes about a past Venice that continues to contend with its precarious future.

William Sarradet reviews a survey of one of the most prolific and recognizable living American photographers.

John Forse imagines Norman Rockwell's iconic "Freedom from Want" as a victim of the recent food-inspired climate change protests.

This week: solo shows honoring award-winning artists in Houston, a group show exploring the aesthetics of camp and queerness in Dallas, an exhibition of photograms created using expired gelatin silver paper found in Robert Rauschenberg’s darkroom, and more.

Caleb Bell on the large-scale public artwork of Nacogdoches-based sculptor Elizabeth Akamatsu, which can be seen in Houston, Denton, and Fort Worth.