The Prize, which was begun in 2020, is designed to highlight and "champion historically underserved and underrepresented groups of the Dallas arts community by offering quantifiable support."

Colette Copeland talks with artist Jill Magid about her recent projects, the pandemic, and issues around labor.

Leslie Moody Castro writes about arriving in Warsaw, Poland, and being surprised by the nation's culture of capitalism.

FotoFest’s choice to show Leo Ramadinha’s voyeuristic imagery of young people participating in COVID-safe online Zoom raves is surprisingly transgressive.

The Rockport Center for the Arts has announced the hiring of Carla Ligon as its new Venue Manager.

Barbara Purcell reviews Nick Barbee's solo exhibition at the Galveston Arts Center. This is the first solo show by the artist in Galveston in the ten years he has lived and worked there.

This week: a retrospective of Mel Chin's work spanning 34 years in Arlington, April Frazier explores family history through photography in Houston, Vinchen's sculptures made from salvaged materials in Austin, and more.

A video exhibition walkthrough of artist William Tersteeg's show at the Rockport Center for the Arts.

John Wesley, the New York-based painter with deep connections to Texas’ Chinati Foundation, died on February 10, 2022.

La BIPOC Arts Network & Fund ha otorgado un total de 2 millones de dólares en becas para 120 organizaciones y colectivos de arte del Área Metropolitana de Houston.

Today: Horse costumes

The Dallas Art Fair has announced its plan to return to full capacity, hosting eighty-five galleries this April.

Big Medium has announced the open call for the 2022 Tito’s Prize.

Hannah Rotwein reviews the exhibition "Every Empire Breaks like a Vase" by artist Paulo Nimer Pjota.

The Contemporary Arts Museum Houston has announced that Allison Glenn is leaving her role as Director of Public Art this month.

Ruben Cordova revisits the myth of Cupid's Revenge through the story of Apollo and Daphne for Valentine's Day.

Brandon Zech sits down with Leslie Moody Castro, who is currently serving as Glasstire's Guest Editor, to discuss the art scene in Mexico City, the foibles of curating, and a no-nonsense way to teach prospective artists. 

Lauren Moya Ford reviews the publication "Painted Flowers Shouldn't Talk Back," a book about the Houston Garden Artists Collective, which discusses their work and lives.

Moody Castro is neither a stranger to the Texas art scene nor to Glasstire — she has been writing for the publication for 11 years.

The National Endowment for the Arts has announced its recommendation of more than $57 million in grants for over 500 arts organizations throughout the United States.