Review

The show allows viewers to consider our shared reality with our neighbors on the other side of the border and, perhaps, to see ourselves from their perspective. 

In introducing five new intaglio pieces titled The Kakistocracy Portfolio, Ted Kincaid is moving his art practice into strident new terrain.

There remains compelling early Texas art still undiscovered. The greater art world needs research programs like CASETA.

Höller has used every bit of space, including the building’s rooftop, to place the viewer in an altered state — pleasurable and disturbing at the same time.

Höller ha utilizado todo el espacio, incluida la azotea del edificio, para colocarnos en un estado alterado, placentero y perturbador al mismo tiempo.

The objects on display are less like home goods, and more like insolent props for an unwholesome funhouse. 

The intensity of this particular collective experience is hard to convey to someone who wasn’t there.

For a casual observer or pedestrian, the spaces Hegert calls into focus go unseen.

Both shows on view at The MAC spur a dialogue about legacy and misuse of power. 

Heinlein’s sculptural objects are like Ellsworth Kellys in space.

"As artists of color it seems like a double responsibility to make your work and to continually respond to racism —  it’s exhausting to be always responding to the ills of the status quo."

Ex Ovo is the new curatorial and exhibition project of Dallas native Allison Klion.

For those who prefer their fairy tales on the more discourteous, berserk, or prurient side, Frank's 'Grimm Tales' satisfies.

TTU's Land Arts program retains an independent spirit, ranging out there in the field and on the road, stopping just long enough to show us some of the artworks it has inspired along the way.

By isolating something as simple as a tree and creating multiple perspectives through the lenses, Cartterfield's work evokes the idea of a life lived as if looking out from the window of a train.

Es una frase declarativa que anuncia lo que es nuestro y reclama el espacio de exposición, conteniendo las experiencias vividas y los legados de los dos artistas al igual que el de la curadora.

The show stakes an uncompromising claim on the exhibition space, holding within it the lived and bequeathed histories of both artists and curator.

One can question why alcohol has to be an underpinning of basically all social events, and a recent two-fer show by Amada Miller and Nicholas Frank does just that while creating a fantastic bar at a gallery. 

Van der Auwera teases out awareness of emotional impulses, complicit actors, and hidden observers.

Part of Villalobos' practice involves his highly rigorous, ritualized performances, and on Sunday March 17, he performed at Rigoberto Luna’s family ranch south of San Antonio.