Barbara Koerble

Three compelling shows are on view at Fort Works Art in Fort Worth, with one extended an additional week.

Photographer Luther Smith bids farewell to 35 years of teaching in a finely-honed “mini-retrospective” of his work at TCU’s Moudy Gallery in Fort Worth

Heath's photographs are a vivid reminder of how the most memorable art of our time conveys a universal message about human existence

"I am really trying to recreate this memory, that moment we just surrender and marvel at the things around us.”

An exhibition in Fort Worth brings overdue local attention to the city's artist McKie “Mac” Trotter III on the centenary of his birth.

This curated selection of work represents the photographer's personal walk back through the history of his life, his family’s lives, and their deaths.

Fort Works Art is going the extra mile to support and engage emerging and established artists in the region.

The immediate comprehensibility of an image can still have the power to provoke and move us.

Kellar pushes the physical limits of his technique in his recent works.

This fiber show of emerging artists prioritizes aesthetic value over utility.

Wagner's work has been referred to as “Art Nouveau on steroids in the 21th century.”

Both artists focus our attention on either the built environments that express the aura of unseen inhabitants, or the overlooked areas where nature still thrives but people turn their backs on it.

Valenzuela's current show continues the exploration of her familial ties from her perspective as a first-generation American born to Mexican immigrant parents.

This series of bird studies in paint and other media is ongoing, and it's being exhibited in North Texas for the first time.

Peter Hiatt seems to have discovered something rare: an unexplored landscape photography subgenre.

A still-life theme shapes concurrent exhibitions at two Fort Worth galleries.

Both artists share a respect for nature that eloquently underpins their bodies of work.

This peripatetic group is getting a chance to show its stuff somewhere other than a pop-up venue.

The foundational images that are at the heart of Malone’s work carry a sense of the eternal forces that made them.

Murphy’s sculptures have an undeniable presence, and remind us that reductive forms can be elegant and seductive.