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If you're feeling pent up and would like to get out of the house, here's one way to do it.

No one thought it could ever happen. Until it did.

There are artists and events to pay attention to as we all work together to reconfigure the Texas arts infrastructure.

As with all things, artists have been using puzzles, or the concept of puzzles, in their work for a long time.

"Speck transforms commonplace items (and even things that are considered trash to most people) into captivating objects, garments and backdrops."

"Dark Skies 47 PAINTINGS large & small in 17 MINUTES set to 3 songs by DJIVAN GASPARYAN, 'master of the duduk.'"

“There are things that are happening in Dallas that Black artists will never know about, because there wasn’t a Black person in the room to share the information with a Black artist.” 

Brandon Zech, Christopher Blay and Christina Rees bring you Glasstire's top picks for the first big shows of 2021.

This question usually shows up somewhere in the creative process.

Covid threw a wrench in traveling exhibitions; shows planned for years are postponed, giving opportunity for museum collections in storage to come out and fill the galleries.

After the Mexican Revolution, the country’s daring female artists forged a new picture modeled after themselves and who they wanted to be.

Suescum’s work creates a positive feedback loop of art in San Antonio where hierarchies established by the academy are questioned.

Christina Rees and Brandon Zech talk about the landmark events of 2020, and their takeaways from an unusual year. 

When we find ourselves craving connection, we can find it though critical engagement with something wonderful someone has made for us.

Christopher Blay and Christina Rees highlight a few of Glasstire’s top stories of 2020.

Texas produced a lot of art in 2020, and Glasstire kept covering it.

Dan Hicks offers a passionate, unflinching critique of how the continued presence of the Benin Bronzes in British museums and national collections perpetuates the colonial violence that “acquired” them in the first place.

Energy is manifest both in Flueckiger’s process for creation, as well as in the visual qualities of the paintings themselves.

"In this series of paintings and sculptures, Schaudies examines her personal evolution since losing her soul mate in 2008."

Holsonback’s work often pushes us to find the context for ourselves.