Glasstire distance educator and motivational speaker Cody Ledvina tells it like it is in Lesson 1.1 of his Pedagogical DVD. Feel free to use this information for your own class. “Hopefully,” says Ledvina, “with it we can create a new breed of aesthetisticians.”
Houston’s David McGee was the the first artist put on the spot in a new Glasstire video series by John Carrithers. Carrithers asks each of his guests twenty questions about art, life and ideas, on camera, and we pick out the best answers. McGee relates a surprisingly moving experience with a Vermeer in Vienna.
Cody Ledvina launches his new made-for-Glasstire video show, “Cody Ledvina: Expierence.” Ledvina promises viewers a dazzling array of content: Texas art exhibitions, performance, concerts, lectures, studio visits, art fights, Q&As, artists, collectors, YouTube, curators, honest reviews, meat, the N.E.A., nonprofits, anarchists, museums and parties.
Vincent Valdez: Excerpts for John is the eighth film in a series of short documentaries produced by Walley Films in association with Glasstire. Filmmakers Mark and Angela Walley began documenting the creation of a large scale painting by artist Vincent Valdez in the fall of 2010. The painting depicts Valdez’s best friend from childhood, John Holt Jr., an Army Combat Medic who served in Iraq. The couple followed Vincent over the course of two years as he completed the painting and came to terms with the loss of his friend.
Vincent Valdez’s current exhibition, America’s Finest: Recent Work by Vincent Valdez, is on view at San Antonio’s McNay Art Museum through January 27, 2013.
On Saturday, May 7th, 2011, Glasstire and the Modern Art Museum of Fort Worth presented a panel in celebration of our 10th anniversary.
“Regionalism in the 21st Century” featured Robert Storr, dean of the Yale University School of Art and curator of the 2007 Venice Biennale; David Pagel, Los Angeles Times art critic and associate professor of art at Claremont Graduate University; Toby Kamps, curator of modern and contemporary art at The Menil Collection in Houston; and Michael Galbreth, one of the artist duo known as The Art Guys. The panel was moderated by Christina Rees, a Glasstire correspondent and director of Fort Worth Contemporary Arts.
The panel was held at 11 a.m. on Saturday, May 7, 2011 in the auditorium of the Modern Art Museum of Fort Worth. The night before, The Rachofsky House in Dallas hosted a private reception for panelists, patrons, artists and curators.
Click here to download the mp3 audio file (29 MB).
Maria Guzman interprets her world into playfully grotesque, allegorical paintings, installations, sculptures and performances. In settings inspired by a mixed cultural identity (Italy, South America and USA) Maria renders herself as Alejandra, an elderly blogger, and her family as troubled elephants and mythical man beasts amongst other incarnations.
In 2010, Lane Hagood re-created the “Mary’s Mural”, a former public icon and landmark of Houston’s Montrose neighborhood. The revived painting, made at the Johanna (an artist-run space in the city), served as a celebration of an unlikely masterpiece and a token of regret for its disappearance. The process of recreating the mural also commenced Lane’s most recent paintings – lovingly flawed fakes by the likes of Bosch, Velazquez and David .