Michelle Kraft reviews a show of ceramic works by seven Indigenous artists, on view at the Louise Hopkins Underwood Center for the Arts in Lubbock.
Louise Hopkins Underwood Center for the Arts
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Review
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Glasstire's staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for 2023.
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Review
Review: “Notes from Another Place” at the Louise Hopkins Underwood Center for the Arts, Lubbock
Natalie Hegert reviews a group exhibition featuring five artists who explore the "politics, aesthetics, and experience of belonging."
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This week: an artist's first museum solo exhibition in Houston, a show using satire, caricature, and poetry in Austin, new paintings by a musician and "outlaw" artist in Dallas, and more.
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Michelle Kraft reviews a solo exhibition of clay sculptures by artist Misty Gamble, on view at the Louise Hopkins Underwood Center for the Arts in Lubbock.
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William Sarradet writes about four feature-length documentaries screened at the 2023 iteration of the Flatland Film Festival in Lubbock.
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This week: FotoFest presents four films in Houston, an investigation of past and current political issues in Dallas, depictions of disasters and wreckage in San Antonio, and more.
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Texas arts organizations are celebrating Black History month with a variety of programs.
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These works are delicate but not fragile, bringing to mind the slogan by queer publisher Genderfail: "radical softness as a boundless form of resistance."
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Two stellar but very different exhibitions in Lubbock for its First Friday Art Trail in January hit upon eco-centric themes.
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Disparte adopts the grid as an artistic convention while simultaneously disavowing it.
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Before accepting the position as LHUCA's executive director, Ms. Maestri served as the institution's community engagement manager and interim director.
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Here lies a narrative of loss, identity, resilience, and vulnerability, that many will find relatable to their own personal stories.
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Christina Rees and Brandon Zech on the last summer shows you can catch in Texas, which means group shows galore, and a few unexpected solo shows that feel more like fall.
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Photos by Jennifer Battaglia The Louise Hopkins Underwood Center for the Arts often hosts up to four exhibitions at a time in its Lubbock Cultural District space. The following works are…
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Review
Cody Arnall’s “Who’s Got a Price on Their Head?” (vs. the Selfie)
by Hannah Deanby Hannah DeanThe violence that we enact upon each other, re-contextualized by a viewer as not only non-threatening but as photo-op decor, is a pretty heavy way to ponder aggression and suffering in the chronic sense.
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Christina Rees and special guest Neil Fauerso on El Paso’s ability to survive the apocalypse, the invention of art words, and a retired president’s dubious art therapy.
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The intimate understanding that resulted between Briggs’ and Strand’s works is something that the viewer won't grasp on a surface level. It’s deeper and intuitive.
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In Richard Linklater’s 2011 film Bernie, there’s a short scene where a man describes the regions of Texas. He goes on easily about the “People’s Republic” of Austin, “the carcinogenic coast”…
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Louise Hopkins Underwood, the namesake and co-founder of Lubbock’s Louise Hopkins Underwood Center for the Arts (LHUCA), passed away yesterday, March 7th, at the age of 97. In addition to being a…