Review

Art can only compete so much with the space it occupies, which is why galleries are clean white cubes without distraction and ornamentation.

What is the burden of doing art installations in the suburbs?

The installation contains multitudes: stasis, anticipation, movement and memory.

15 years after debuting on Glasstire, our very first review has been run through the annotation gauntlet of Rap Genius.

Using humor and absurdity as a tactic to engage the audience is one of Richards’ signature strategies. It also serves to balance the theoretical component of his work.

Murphy’s sculptures have an undeniable presence, and remind us that reductive forms can be elegant and seductive.

Like a clever Hollywood script, Andrews’ show at the Nasher tells a story about telling stories.

This is Art Tooth's first exhibition in a dedicated art space, and the premise of the show is to examine how each artist interprets their personal and local environments.

Helguera’s mission is not to trigger intellectual or emotional insight through visual intrigue, but to deliver standardized social messages.

Below is a roundup of some shows we’ve enjoyed so far this fall. Not a comprehensive list. -Ed.   Shelby David Meier & Iva Kinnaird: Make Time October 8 –…

Three of the many gallery shows that opened in Dallas last month feature locally based artists who work with photography in ways that converge on painting and sculpture.

The show functions as an outline of Picasso’s vision of the past and his insight into the future of art and human life.

This solo show is also a notable leap forward in Wood's developing themes of death and duality.

Matt Bourbon's show of new paintings ends at Kirk Hopper in Dallas this weekend, and I urge you to see it if you haven't.

“You can find pictures anywhere,” Erwitt has said. ”You just have to care about what’s around you and have a concern with humanity and the human comedy.”

Jacobs is an aesthetic wizard; there's a refinement to these works that renders them intrinsically alluring. But he does not mask his outrage.

The show is at its best in inviting the viewer to consider what Modernisms have been left out, avoided, or possibly forgotten.

Nothing in a painting is photographically exact, because physically it can’t be, and that’s where the magic happens.

When I heard about this show, I thought it strange that an important American artist is having her retrospective at such an out-of-the-way location. But UHCL once played unexpected part in the history of feminist art.

Some people are simply wittier than others. Zhang's show clicks as a study of ridiculousness and exasperation at being alive, being human, being flightless.