Feature

The figures at the center of this week’s two spotlights — John Berger and Marshall McLuhan — are well known, at least in art circles, though these programs don’t seem to be.

Clemmons’ reception on Gather.town recalled the playable chat rooms of the past.

"I am honored to be asked to share my collection with the Lubbock community."

Three solos shows in Lubbock that will be on view through September 26.

Christopher Blay and Christina Rees on the best solo, two-person, and group shows opening this week in Texas, as well as one city’s gallery night that’s stretching out for safety reasons.

We assess what traditions and assumptions have been handed down, and decide if we want to carry them forward.

"Echo chamber" is an installation of sculptures, photographs, and snippets of video on a handheld video screen that is activated around one of the works in the show.

In 2017, the industry generated $5.59 billion, which resulted in nearly $350 million in tax revenue.

From artists we can all recognize to some favorite Texas artists to artists who labor in obscurity, here are  a few images that offer a glimpse behind the curtain.

We are now in the phase of Grandpa Lynch.

For this first installment, I want to bring your attention to the often-overlooked TV show 'Soul!' of which I’d encountered bootlegs over the years.

In his installation at Janette Kennedy Gallery in Dallas, the talented political artist hits another one out of the park.

Featuring work by Adela Andea, HJ Bott, Paweł Dutkiewicz, Orna Feinstein, Gao Hang, Dmitri Koustov and Katja Loher.

"My Jesse James Adventure" is a 22-channel video installation: "Copeland’s fascination with Jesse James stems from childhood family lore — tales of her blood kinship to the notorious outlaw Jesse James."

Brandon Zech, Christina Rees, and Christopher Blay walk you through the Texas shows they’re most excited about seeing, in person, this fall art season. 

The Dallas Art Fair’s inability to reimburse the galleries even a part of their expense is a triple whammy for the participating galleries, and it could be cataclysmic for some.

Christina Rees and Brandon Zech discuss how hurricanes, fires, floods, earthquakes, tornados, and other disasters impact art, artists, and the ethos of cities.

Even at the end of options, there are still options. 

"'Rock Standard Time' is an invitation to res(e)t our current climate of temporal anxiety."

Brandon Zech and Christina Rees on an acclaimed painter’s collage work, an incendiary welcome mat, and show that went from 67 works to nearly 2000.