Hills Snyder

Hills Snyder reviews Alex Garland's film "Civil War."

Hills Snyder reviews an exhibition of vulnerable, alien-like paintings by artist Georganne Deen.

Hills Snyder reviews a retrospective of work by Texas artist Celia Álvarez Muñoz, which is currently on view at the University Art Museum at New Mexico State University.

Hills Snyder writes about the work of Lubbock-based artists Jeff McMillan and Theodore Waddell.

Hills Snyder reviews an artist-in-residence exhibition by Jess Johnson at the Roswell Museum in Roswell, New Mexico.

Writer and artist Hills Snyder documents his road trip from New Mexico, through West Texas, and on to the Panhandle.

Hills Snyder writes about the imagery of patriotic flags, in relation to music and his own work.

Hills Snyder gathers anecdotes, stories, and photos from artists, students, professors, and others who knew and loved Frances Colpitt.

Hills Snyder talks with San Antonio-based artist Joey Fauerso about her solo exhibition at the NMSU Art Museum in Las Cruces, New Mexico.

Hills Snyder on time spent during the pandemic, loss, and the cycles of life.

These stories, and those that follow, paint a picture of an artist-run-space of humble beginnings — grass roots that will never harden into an institutional surface.

At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?

At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?

At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?

At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?

(Note: This is the eighth installment in a series of stories published in conjunction with the traveling project ‘Altered States’ which opened November 2016 and is still on the move. For Part One, go here. For Part Two, go…

It is simply amazing how “something” takes up residence in “nothing” if one is able to surrender to it.

I continue to drive down the highways and back roads, as if they are the pages of a book, reading America one town at a time.

This is the sixth installment in a series of stories published by artist Hills Snyder in conjunction with his traveling project ‘Altered States’ which opened November 2016 and is still on the move.

Fair warning: this is a stream-of-consciousness meander through the topography of Buttercup.