On April 25th, Dallas’ CentralTrak hosted Not Waiting for Permission, the second annual panel discussion on the state of the emerging arts in Dallas, organized [...]

Christina Rees has served as an editor at both The Met and D Magazine, as a full-time art and music critic at the Dallas Observer, and has also covered art and music for the Village Voice and other publications. A former resident of New York City and London, Rees currently lives in Dallas, where she was the owner and director of Road Agent gallery. Rees is now the curator of Fort Worth Contemporary Arts, at Texas Christian University in Fort Worth, where her exhibitions have included Death of a Propane Salesman: Anxiety and the Texas Artist; Liam Gillick: ...and other short films; M: Let's Build a Fort!; Michael Bise: Epilogues; Rufus Corporation: Yuri's Office (with Noah Simblist); and Kevin Todora and Jeff Zilm: Gaffes and Informations. Her recent independent curatorial projects include Modern Ruin and Modern Ruin II: Quick and Dirty (both with Thomas Feulmer). Rees writes regularly for Glasstire, the online journal of visual art in Texas.
On April 25th, Dallas’ CentralTrak hosted Not Waiting for Permission, the second annual panel discussion on the state of the emerging arts in Dallas, organized [...]

In what feels like a direct answer to detractors of Dallas’ very centralized and compacted (and rarified) still-new Arts District, the Nasher Sculpture Center has [...]

I thought I just really hated art. Or the art world. Like Dave Hickey does. Maybe I do. Maybe not. Let’s find out together. [...]

The new normal should be anything but. Time to fuck shit up. Dear Young DFW Whippersnapper Artists, Whatever the last “up” economy may have [...]

I really don’t understand the brouhaha over this Museum Tower thing. All I see are opportunities. Perhaps the lawyers on both sides lack vision. Lawyers, [...]

You must have noticed, if you live in DFW, that there’s some pretty exciting artwork bobbing all over its various surfaces. Local artists are getting [...]

This last April I attended a curators’ symposium in Austin during the Texas Biennial. It was a day-long series of panel discussions and presentations hosted [...]

Look. We have a problem here that creative people are learning to circumvent. The economy is awful, and while auction-house prices are staying weirdly 1%-er [...]

This wasn’t meant to be a column about art fairs—it was meant to be about wealth and conservatism—but art fairs are something I know and [...]

So you wanna be an artist. A successful artist. Then these are some rules to live by. Granted, artists are good at breaking rules (and [...]

Philip Haas, an American filmmaker best known for his feature Angels and Insects, was commissioned by the Kimbell Art Museum to create something novel: five [...]

Dallas is on the cusp of something. Will it seize the moment? The new Arts District is emerging and Dallas is experiencing an influx of [...]

Recently, a young Dallas reporter was interviewing me in my gallery and asked, “Is there anything you’d like to say to the collectors in the [...]

A few days ago, an acquaintance walked up to me at an art event and asked, “Are you enjoying all your new leisure time?” I [...]

He loves me, he loves me not… When does a work of art slide out of the defining, albeit hazy boundaries of artwork and into [...]





