Ms. Moody's eponymous Moody Gallery has been in continuous operation since she founded it in 1975.

"It's nicer to deal with readers than it is to deal with students. You don't feel responsible for somebody's fate."

TTU's Land Arts program retains an independent spirit, ranging out there in the field and on the road, stopping just long enough to show us some of the artworks it has inspired along the way.

Funded in party by The Idea Fund, the socially engaged project is meant to help connect the city's community with its bayou. 

Now in its 95th year, the fellowship is given annually to a range of artists, historians, scientists, writers, mathematicians, and others.

Covering 22 concrete pillars under the I-45 freeway at Cullen Boulevard, the Perspectives mural project capitalizes on bright colors and large, defined shapes to transform the underpass into a work of art that will attract the attention of passers-by.

'Förg in Venice' will be on view May 11 through August 23, 2019 at the Palazzo Contarini Polignac in Venice.

Christina Rees and Neil Fauerso on the beauty of Grand Central Terminal, the endurance of Co-Lab Projects, and one longtime festival’s determination to keep Austin’s freak flag flying.

The stipend for the program is $6,000, with an additional $10,000 offered as a project budget.

The awards range from $15,000 to $50,000 and aren't limited to one particular form of writing.

By isolating something as simple as a tree and creating multiple perspectives through the lenses, Cartterfield's work evokes the idea of a life lived as if looking out from the window of a train.

For the first time, the Rabkin Foundation has awarded a lifetime achievement award of $50,000 to the New York Times Co-Chief Art Critic Roberta Smith.

The Andrew W. Mellon Foundation granted $500,000 to the M-AAA to fund the pilot program.

Es una frase declarativa que anuncia lo que es nuestro y reclama el espacio de exposición, conteniendo las experiencias vividas y los legados de los dos artistas al igual que el de la curadora.

The show stakes an uncompromising claim on the exhibition space, holding within it the lived and bequeathed histories of both artists and curator.

Last week and weekend marked the third annual Vignette Art Fair, a Dallas-based, non-profit fair that takes place each year during Dallas Arts Month and highlights the work of Texas-based women artists.

This is a fantastic opportunity for art-oriented high-school students to quality time with a world-class collection of international contemporary works, and to create conversations and projects around contemporary art ideas. 

After 33 years of teaching for the School of Art and serving as interim director and director between 2005 and 2013, Fuentes will continue her international art practice from her Lubbock-based home and studio.

If the fair displaces longstanding galleries with newcomers who don’t return, what would lure back the loyal-but-spurned galleries?

In this podcast, Glasstire's William Sarradet catches some notable exhibitors at the Dallas Art Fair on its opening night, to chat about the art they're showing this year.