Hills Snyder writes about the imagery of patriotic flags, in relation to music and his own work.
hills snyder
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Review
Paradise Lost: Bale Creek Allen at kind of a small array, Magdalena, New Mexico
by Hannah Deanby Hannah DeanHannah Dean reviews the solo exhibition by Bale Creek Allen at kind of a small array in Magdalena, New Mexico.
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Former Casa Chuck resident artist and current Interim Director of Sala Diaz, Heyd Fontenot, considers various artist ecologies, cinematic and actual, and fantasizes a domicile to contain it all.
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This week, Ethel Shipton finds that spilled paint is just another way to get there, and recalls the beginnings of friendship with Tracey Snelling, who writes about her summer 2003 experience at Sala Diaz.
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This week Alejandro Diaz channels Aesop recalling the 1997 Jesse Amado show at Sala Diaz, while Jesse Amado takes us back to Madrid for ARCO 02.
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These stories, and those that follow, paint a picture of an artist-run-space of humble beginnings — grass roots that will never harden into an institutional surface.
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At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?
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At this strange moment in history, Hills Snyder asks members of our creative community: What is at the top of your mind? What is in the bottom of your heart?
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(Note: This is the eighth installment in a series of stories published in conjunction with the traveling project ‘Altered States’ which opened November 2016 and is still on the move. For Part One, go here. For Part Two, go…
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This is the sixth installment in a series of stories published by artist Hills Snyder in conjunction with his traveling project ‘Altered States’ which opened November 2016 and is still on the move.
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"In my class at UTSA, I’m a sort of homeopathic tincture that’s an alternative to the usual Western art history trip you get at an American university art program."
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New Mexico is the inscrutable blank expression of a Kachina Doll, a white fade under a big sky. It’s chiller, sparser, more silent than either of its neighbors, and there’s reason why if you’re rich and need to dry out your family will probably send you to a “spa” called Desert Sage in New Mexico.
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Magdaelana is a place where people collect many things — telescopes, printing presses, rocks, scrap metal, sound installation pieces — and all seem to have a deep and proud knowledge of their possessions. The desert is a good place to store objects — it’s dry and the light is keen to lay things out in.
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The sky grows so very suddenly dark. The air inside the truck seemed to be sucked out and replaced by a vacuum made of utter silence.
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Review
Off to See the Wizard in the Hills of San Antone: Wolverton’s New Album
by Gene Fowlerby Gene FowlerWolverton songs — grand adventures in tiny, shiny packages — tend toward the cerebral and the mystical.
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The abstract truth of “driving through America” has fundamentally shifted in the 14 months since I was on the road gathering photographic material for the project.
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"...be on the watch for the interval, the place where you are given a choice and a chance to add goodness to the world.”
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Hills Snyder’s current solo exhibition at Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock includes a big 1992 piece titled How Big is Your Love?; it’s a multi-panel,…
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I’m going to stop right there. Please stop reading and go.
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Christina Rees and guest host Hills Snyder are in Lubbock talking about some staple shows of summer, what happens when an artist takes an epic road trip, and the usefulness of intervals.