Sean J. Patrick Carney on how the history of Texas' many Messiahs ties in with the life, work, and ethos of Donald Judd.

The Houston Center for Contemporary Craft has announced eleven artists selected for its 2022-2023 cohort of residents.

A video walkthrough of Colette Copeland's show at Jody Klotz Fine Art in Abilene.

Caleb Bell talks with Jeremy Biggers about his mural honoring the legacy and influence of basketball superstar Sheryl Swoopes.

Jessica Fuentes talks with Veronica Roberts about her past at the Blanton Museum of Art and her future at the Cantor Arts Center. 

Henry G. Sanchez reviews an exhibition at Jonathan Hopson Gallery in Houston, featuring work by Liz Rodda, Lauren Moya Ford, Hong Hong, Guadalupe Hernandez, Brandon Tho Harris, and Troy Dugas.

The Dallas Museum of Art promotes long time employee Stacey Lizotte, and the Art Museum of South Texas hires Alexis De Leon.

Contemporary Art Dealers of Dallas recently announced Genesis Lopez as the winner of its 2022 scholarship.

William Sarradet interviews Jennifer Wester on the intersection of her art practice and her cultivation of art materials from native plants.

This week: a vibrant group show in Albany, a solo show featuring figurative surrealist work in Austin, a group show of clay art in Houston, and more.

The North Texas community is rallying behind Dallas-based artist Antonio Lechuga, who was shot last week and remains in the hospital.

Barbara Purcell on two exhibitions at Blue Star Contemporary in San Antonio that feature artwork about and by U.S. service veterans.

The Harry Ransom Center at the University of Texas at Austin has acquired a collection of artworks, photographs, correspondence and other ephemera related to artists Paul and Virginia Fontaine.

Talley Dunn Gallery in Dallas has announced a call for North Texas BIPOC artists to participate in their Equity in the Arts Fellowship.

Brandon Zech looks back at Claes Oldenburg's Texas connections.

Sean J. Patrick Carney on the history of Texas' many Messiahs, and the relationship between superstition and religion.

Billi London-Gray visits five shows currently on view at the Grace Museum in Albany.

William Sarradet and Brandon Zech discuss recent demonstrations in the UK, for which protesters superglued themselves to the frames of famous artworks.

Michael Flanagan reviews a solo exhibition by Rachel Comminos at the Brownsville Museum of Fine Art.

"There’s an illicit appeal in seeing your ideas take shape when you could be doing the dishes or something quotidian."