Sean J Patrick Carney talks with artist Bridget Moser about props, how the pandemic shaped her recent performance, and the importance of playlists on her process.
Sean J Patrick Carney
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Sean J. Patrick Carney habla sobre cómo la historia de los muchos mesías de Texas se une con la vida, la obra y el ethos de Donald Judd.
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Sean J. Patrick Carney habla sobre la historia de los muchos mesías de Texas y la relación entre la superstición y la religión.
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Sean J. Patrick Carney on how the history of Texas' many Messiahs ties in with the life, work, and ethos of Donald Judd.
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Sean J. Patrick Carney on the history of Texas' many Messiahs, and the relationship between superstition and religion.
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I’ll admit to feeling ambivalent about the avalanche of arts organizations doing the pandemic pivot to virtual programming.
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Part of Culpepper’s appeal, for critics and audiences alike, is a patent ability to marry technical, craft-focused mastery with a self-aware jolt of absurdism.
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“I’ve been thinking a lot about these forms as hauntings, and the idea of a haunting as something that exists between time.”
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Speeding Motorcycle is a testament to Johnston’s singular, off-kilter genius, and also to the Catastrophic Theatre’s ability to refract a story of unrequited love into a radiant, immersive spectrum of sights and sounds.
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The objects on display are less like home goods, and more like insolent props for an unwholesome funhouse.
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For those who prefer their fairy tales on the more discourteous, berserk, or prurient side, Frank's 'Grimm Tales' satisfies.