Review

The exhibition provides space for several artists to not simply tell their stories, but to spin a whole intricate and lush world. 

Three literary works by contemporary artists that offer a surrogate experience: Autofictional stories of life under the creative impulse.

Cyrus has consistently made work that speaks to large, relevant, and topical issues while still managing to startle.

All three artists are asking the kinds of questions everyone should be asking about our brave new Screen World.

Clay examines the uneasy underbelly of the industries that mass produce weenies and Major League eating competitions, as well as explores the painterly possibility of the American classic.

I’ve missed this.

The exhibition is a love letter to Wilke's hometown, defined by its distinctive haunts and habitués. 

Installations by Letitia Huckaby, Sandy Skoglund, Jennifer Steinkamp, Martine Gutierrez, and Yayoi Kusama offer a cross-generational female perspective spanning 60 years. 

A walkthrough of shows the Old Jail Art Center in Albany, and Jody Klotz Fine Art in Abilene.

Three films set the scene for anticipated cinema this season, and I took notes.

Hang's work encapsulates two truths that define the Post Digital condition of our lives today: you must engage the digital to survive, and your engagement will fundamentally alter your state of being.  

Glasstire's Events and Social Media Editor walks us through some current exhibitions on view across Texas.

In a way, being on the outside looking in is an apt metaphor for experiencing issues around Black hair from a Black woman’s perspective.

No matter what kind of mood her works evoke, they are always intuitive

The work pivots on carefully planned silliness and deceptively poor craft, and this balance of thoughtful and careless gives them an edge.

The exhibition is a luminous, timely exploration of how both artists find the sublime in the close observation of nature.

"Houston artist Royal Sumikat has done a wonderful job conveying the sense of strife and hope every immigrant faces."

The first solo museum presentation of her career, the show is striking and straightforward, made up of eight acrylic paintings created soon after Jaramillo made the move from Paris to New York City in 1967. 

As tempting as hosting a blockbuster traveling exhibition can be, and given the opportunity to pick works from the dozens available for "30 Americans," an exercise of curatorial restraint on the part of Arlington Museum of Art could have benefited the show.

Nara’s iconic sculpture points toward the opening of one’s senses to the landscape as a way of feeding one’s physical and interior vitality.