Review

Megan Krznarich on how artist Anna Mavromatis' works trace the ideas about and status of women in American culture.

Matthew Bourbon reviews an exhibition by the artist collective Kongo Astronauts, on view at the College of Visual Arts and Design Galleries at UNT in Denton.

Brandon Zech on an exhibition of paintings by William Wegman, on view at Texas Gallery in Houston.

Barbara Purcell reviews an exhibition at the Crystal Bridges Museum of American Art that confronts perceived notions of America's history.

Betsy Lewis reviews a posthumous solo exhibition by artist and musician Dennis Gonzalez, on view at Plush Gallery in Dallas.

William Sarradet on exhibitions currently on view at the African American Museum Of Dallas, Ro2 Art, The MAC, and Samuel Lynne Gallery.

Lauren Shults on artist Natalie Wadlington's playful, precise narrative paintings of childhood excursions.

Jon Revett on why he was (surprisingly) impressed by the Museum of Fine Arts, Houston's M.C. Escher exhibition.

Jacky Cortiaus on a summer exhibition at Anya Tish Gallery that's themed around beating the Texas heat.

Ruben Cordova on a recently closed exhibition of African sculptures, which was on view at the Kimbell Museum of Art in Fort Worth.

Kathy Bussert-Webb reviews Rio Grande Valley artist Chris Leonard's exhibition, on view at the San Benito Cultural Heritage Museum.

Exhibitions can be an effective tool for arts organizations and museums to amplify representation of people of color, but shows alone cannot eliminate barriers that have persistently disconnected visitors from these institutions.

Jessica Fuentes on “Technicolor Summer,” which is currently on view at the Old Jail Art Center in Albany.

Artist and writer Colette Copeland reviews a series of exhibitions focusing on paper and books at the Grace Museum.

Hannah Rotwein reviews Jessie Homer French's solo exhibition of paintings at Various Small Fires in Dallas.

Wendy Atwell reviews Gabbe Grodin's exhibition "WOW: Wonderful Old Women," on view at Bihl Haus Arts in San Antonio.

Henry G. Sanchez reviews an exhibition at Jonathan Hopson Gallery in Houston, featuring work by Liz Rodda, Lauren Moya Ford, Hong Hong, Guadalupe Hernandez, Brandon Tho Harris, and Troy Dugas.

Michael Flanagan reviews a solo exhibition by Rachel Comminos at the Brownsville Museum of Fine Art.

Matthew Bourbon visita “What I Saw” en la Menil Collection, una exposición que reúne las obras del artista autodidacta Joseph E. Yoakum.

William Sarradet on recent exhibitions in Dallas at the Latino Cultural Center, 12.26, the Power Station, and Peter Augustus.