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Es un promiscuo mezclador de culturas y demoledor de las jerarquías artísticas, al igual que un satírico brillante y políticamente cáustico.

"Asia Society Texas Center curator Bridget Bray takes us on a vertical tour to explore artist Miya Ando's installation."

"The limestone walls and floors that are a hallmark of Asia Society Texas Center's architecture are also home to fossils dating to the Jurassic era."

Porch Swing Orchestra has the feel of a personal experience, a recording you would make for yourself and not something to be shared for "likes."

"Shore's work exudes a peacefulness and mindfulness that invites the viewer to meditate on their connectedness with nature and our world."

One of the pleasures of the show is that you don’t have to be knowledgeable or really even have any interest in Theatre Arts or Robert Tobin’s life or collection.

"The exhibition title refers to the Confucian theory of Anthropocosmic Vision, which entails the notion of unity between the cosmos and all living things, including Earth itself."

"Clay’s multi-dimensional installations challenge the viewers’ perception of materiality, space and presence."

Brandon Zech and Christina Rees run down their favorite art and not-quite-art attractions you can spot from your car while driving across the state.

"The works, including his jigsaw puzzle 'paintings', showcase his ability to masterfully combine various parts to create a dynamic whole."

"'Prelude' examines the dark crevices of human nature, and holds it up through the rosy lens of childhood."

Reyes’ 'Instant Genocide' is a critique of racism that encapsulates and embodies Trump's racist rhetoric, though it was painted decades before Trump's words were uttered.

Not only does our constant upgrading fundamentally impact our perception and experience of time, but it shapes how we document and share ourselves as well as our legacies.  

Christina Rees and Brandon Zech discuss all of the weird things we love (and hate) about the art world.

The photographs, which have been featured in an exhibition that’s been traveling across Texas for the past three years, are the focus of Orton’s book, “The Upshaws of County Line; An American Family,” which is a documentation of the County Line community’s history through photographs and oral histories of the families who lived there.

Peter is very very very very very very very very very very very very very focused on his garden right now. Because #prepper.

"When is a debt really considered paid? When do you begin to start walking and raise your head up straight? When do we start to practice what we preach?"

Brandon Zech and Christina Rees discuss conservation nightmares, the Dust Bowl, and how well-versed Texas artists are on this subject.

Would your art be better, worse, or not exist without social media?

"Texas native and University of Arizona Assistant Professor Alejandro Macias‘ show presents new and recent works that reflect on his Mexican-American experience and a broader range of borderland and Latinx issues."