Lauren Moya Ford

Lauren Moya Ford revisa una muestra de fotografías expuesta en el Visual Arts Center de la Universidad de Texas creada por Violette Bule en conjunto con venezolanos en prisión.

Lauren Moya Ford reviews an exhibition that confronts pressing issues around women’s bodies, sexuality, and motherhood.

Lauren Moya Ford reviews a show of photographs at the UT Visual Arts Center that Violette Bule created in conjunction with incarcerated Venezuelans.

Lauren Moya reseña un nuevo libro coeditado por Aperture y el Centro para la Fotografía Creativa que presenta las obras completas del fotógrafo chicano Louis Carlos Bernal.

Lauren Moya Ford reviews a new book co-published by Aperture and the Center for Creative Photography featuring the collected works of Chicano photographer Louis Carlos Bernal.

Lauren Moya Ford reviews a show of rarely seen Edo-period woodblock prints at the Blanton Museum of Art in Austin. 

Lauren Moya Ford reviews an exhibition of print and textile works by Anni Albers at the Blanton Museum of Art.

Lauren Moya Ford reviews Chloe Chiasson's solo exhibition at Dallas Contemporary, which shows scenes from a Texas town that is also a queer refuge.

Lauren Moya Ford reviews an exhibition of 100 drawings of dogs by the Japanese-born, San Antonio-based artist Hiromi Stringer.

Lauren Moya Ford reviews an exhibition of paintings at Ivester Contemporary by longtime Austinite Ryan Thayer Davis.

Lauren Moya Ford interviews Mark Castro, curator of "Abraham Ángel: Between Wonder and Seduction" at the Dallas Museum of Art.

Lauren Moya Ford reviews the group exhibition "Something To Do With Pleasure," on view at 12.26 in Dallas.

Lauren Moya Ford reviews an installation by the artistic duo Celeste, on view at The Contemporary Austin.

Lauren Moya Ford reviews the exhibition "Sketches for Three Voices," on view at testsite in Austin.

Lauren Moya Ford reflects on the recent restaging of the performance "Dances with Dogs" by Forklift Danceworks in Austin.

Lauren Moya Ford reviews the group exhibition "fitting" at Northern-Southern gallery in Austin.

Lauren Moya Ford reviews the solo exhibition by Jenelle Esparza at the McNay Museum in San Antonio.

Lauren Moya Ford reviews the publication "Painted Flowers Shouldn't Talk Back," a book about the Houston Garden Artists Collective, which discusses their work and lives.

Lauren Moya Ford reviews the exhibition "A Commitment to What is Before You," on view at Northern-Southern in Austin.

The exhibition is a luminous, timely exploration of how both artists find the sublime in the close observation of nature.