Review

Webb’s work gives us a glimpse of what these lands look like to someone who comes from so far away.

The phrase “Popular Art” is a small but important redefinition of the broad and nebulous category of folk art.

Even though the works in Peña’s current exhibition were all made in 2019, they feel sharply prophetic of our grim, lockdown days.

"I wouldn’t be able to make the work I’m making if I hadn’t left my hometown. I wouldn’t be able to see it and understand it without the perspectives I now have."

McNeil's understatement and structural references belie a strength in subterfuge, like an unsensed yet omnipresent virus lurking in our midst.

Works from a diverse set of artists in the United States, Latin America, and Brazil showcase the many ways that artists in the mid-20th-century Americas experimented with light, color, and materiality.  

"Exquisite Adornment," a promised expansion of SAMA’s collection, indicates an evolving approach toward displaying and contextualizing Asian art.

The paintings sanctify the 12.26 space like altarpieces. And they’re New Agey in the best way.

Big Tex is an abstract everyman who somehow manages to be nobody.

By different degrees, everyone is a stranger. Our inner worlds are largely obscure to each other. It’s not a stretch to wonder: can we grasp anything substantial about another person’s…

Kitchen’s careful manipulation of sometimes lush, sometimes desolate snapshots from the American Northwest probe the contours between documentary and craft.

Reyna explores motherhood and Autism Spectrum Disorder in a new exhibition in Lubbock.

This is a book about the hidden, captivating, complex lives of portrait sitters and how history has — or has not — remembered them.

In his installation at Janette Kennedy Gallery in Dallas, the talented political artist hits another one out of the park.

Even at the end of options, there are still options. 

"Graffiti has also become a popular art form among the property owners who once disapproved — now many building owners commission graffiti artists to adorn their walls with murals."

I remember when Nicole Tersigni’s thread of portraiture-based mansplaining memes started popping up in my Twitter feed last year. I laughed until I cried.  

These works are delicate but not fragile, bringing to mind the slogan by queer publisher Genderfail: "radical softness as a boundless form of resistance."

One of the pleasures of the show is that you don’t have to be knowledgeable or really even have any interest in Theatre Arts or Robert Tobin’s life or collection.

Not only does our constant upgrading fundamentally impact our perception and experience of time, but it shapes how we document and share ourselves as well as our legacies.