Review

We can think of Cande Aguilar and Jesse Amado as two artists on different sides of the same coin.

Philadelphia based artist and writer Ricky Yanas reviews "Border is a Weapon," a group exhibition about the U.S.-Mexico border.

"Foreign Body: Works on Navigation" puts forth a notion of the body that is malleable to outside dangers, and offers a path through which respite is realized.

Maritza Bautista reviews artist Ana Laura Hernández's solo exhibition "Code-Switching" at the Laredo Center for the Arts.

There is a shellacked magic to Donald Moffett’s resin paintings, an edibility of cured color that satisfies the eye like candy.

The CAM 2022 Perennial exhibition at the Southwest School of Art and Sala Diaz invites visitors to contemplate the shared and intimate realities of what it is like to live and work in San Antonio.

Lauren Moya Ford reviews the solo exhibition by Jenelle Esparza at the McNay Museum in San Antonio.

For this show, be willing to go with the flow: here-immersive, there-interactive, and right across the room, just stand back and listen.

Stephen Caffey reviews Midland-based artist Catherine Allen's exhibition "En Route."

When a small work is good, it packs a disproportionate punch: while it can be easy for a big piece to awe you from across the room, the ability for a tiny artwork to have the same effect is rare.

Jon Revett reviews "Down in the Dirt: The Graphic Art of Terry Allen," a show of the artist's print works at the Museum of Texas Tech in Lubbock.

Barbara Purcell reviews Nick Barbee's solo exhibition at the Galveston Arts Center. This is the first solo show by the artist in Galveston in the ten years he has lived and worked there.

Hannah Rotwein reviews the exhibition "Every Empire Breaks like a Vase" by artist Paulo Nimer Pjota.

Lauren Moya Ford reviews the publication "Painted Flowers Shouldn't Talk Back," a book about the Houston Garden Artists Collective, which discusses their work and lives.

Caroline Frost reviews a citywide exhibition of work artist Bill Hutson in San Marcos. The show spans five exhibition venues in the city.

Aunque mucho se ha escrito sobre el trabajo de Milton, no conocía el de su esposa e hija. Al investigar su obras, me enteré de lo que se ha nombrado “el estilo Avery”.

Barbara Purcell reviews Terry Allen's exhibition "MemWars" at the Blanton Museum of Art at UT Austin.

William Sarradet on recent exhibitions in Dallas, including shows at Conduit Gallery, the Goldmark Cultural Center, Site 131, and more.

La escena artística del Valle del Río Grande está en recuperación, por muy precaria que sea.

Writer and historian Ruben Cordova reviews an exhibition of work by British artist J. M. W. Turner at the Kimbell Art Museum in Fort Worth.