Review

García takes hold of her own lived experience as a Mexican-American artist and uses the symbol of the cactus to express her deep-rooted love for culture, history and the land.

Barbara Purcell reviews the 2022 edition of the Whitney Biennial at the Whitney Museum of American Art in New York City.

Matthew Bourbon visits the Menil Collection exhibition "What I Saw," featuring works by self-taught artist Joseph E. Yoakum.

Lauren Moya Ford reflects on the recent restaging of the performance "Dances with Dogs" by Forklift Danceworks in Austin.

Ashley Allen reviews the video "True North" by artist Isaac Julien, on view at Ruby City in San Antonio through July 2022.

Melissa L. Mednicov writes about the touring Obama portraits at the Museum of Fine Arts Houston, on view through May 30, 2022.

William Sarradet reviews recent exhibitions at Sweet Pass Sculpture Park, Cluley Projects, and Nasher Sculpture Center in Dallas.

Matthew Bourbon on a standout work by Robert Milnes

Fox creates corporeal hybrid creatures who enact universal themes of life — love, loss, rebellion, and sex.

Carris Adams reviews Project Row Houses' current exhibition, "Round 53: The Curious Case of Critical Race.... Theory?"

Ashley Allen reviews "Donald Moffett + Nature Cult + The McNay," on view at the McNay Art Museum in San Antonio.

Rosa Boshier reviews artist Oscar Muñoz's retrospective exhibition "Invisibilia," on view at the Blanton Museum of Art.

Megan Wilson Krznarich reviews the exhibition "The Language of Beauty in African Art" currently on view at the Kimbell Art Museum.

Liz Kim reviews a retrospective exhibition of work by Dawoud Bey, on view at the Museum of Fine Arts, Houston.

Barbara Purcell reviews the book "Plagues and Pencils," written by Edward Carey and published by the University of Texas Press.

Garland Fielder writes about "Dimensions Variable," a performance activation at the Moody Center for the Arts in Houston.

Cyrus chooses materials that are part of everyone’s daily existence — like denim, and music — and his choices grant access for all to this exhibition.

Hannah Dean reviews the solo exhibition by Bale Creek Allen at kind of a small array in Magdalena, New Mexico.

Lauren Moya Ford reviews the group exhibition "fitting" at Northern-Southern gallery in Austin.

Hannah Dean on a biennial exhibition by the faculty of the El Paso Community College, on view at the International Museum of Art in El Paso.