Feature

William Sarradet and Brandon Zech discuss Meta's new virtual world and the recently proposed plans to modernize the interior of Notre Dame in Paris.

The exhibition's pieces feel like they’re whipping your retinas around at high speeds. The man’s running — from something, and toward something, too.

This week: killer painting shows in Beaumont, Houston, and Dallas, a cryptic exhibition in San Antonio & more.

A video tour of artist Katy Horan's exhibition "ROOMS" at grayDUCK Gallery in Austin.

The broadway production succeeds because it requires so little explanation: cats are just cats.

A video tour of Rehab El Sadek's exhibition "Pattern Language" at Women & Their Work in Austin.

In a career that spans five decades, including 22 years at the Museum of Fine Arts, Houston and nearly 50 years at Texas Southern University, Wardlaw has presented exhibitions rewriting the canon of American art with major, overdue chapters for African American artists.

Ruben C. Cordova examines three phases in the Metropolitan Museum of Art’s practice of deaccessioning art from its collection.

Today: Butter

Existing somewhere between private spaces and public art, window-front galleries provide street view access to the public from sunup to sundown.

In a few words, Kana Harada shares some insights about her latest exhibition, "Divine Spark," at Asia Society Texas Center in Houston.

Tiny Target, thanks for the memories.

"Quería que esta obra estuviera envuelta en la cultura pop mexicana y estadounidense."

This week: a Marfa-inspired exhibition at Ballroom, a museum show by Mel Chin, intricate drawings in Houston & more.

As the year closes, I've traveled to San Antonio for a second time in 2021. The city seems to be much more online this time around, or perhaps I’ve just spent more time on my feet.

Performa commissions new works by artists, and also restages seminal works from performance history.

Glasstire is pleased to announce the promotion of William Sarradet to the position of Assistant Editor.

'Color Scheme' is a brilliant, smart examination of how we think about color, how material medium informs color, and how these ideas have changed over time.

Mao's site-specific installation at Co-Lab brings together an affinity for steel, ceramics, and leather, with a refined sense of melding materiality into a multivalent metaphor — in this case, the symbolic, dualistic nature of the serpent.

You can see Duerler Chávez's takeover by viewing the Prospect.5 NOLA story highlights on Glasstire Instagram page.