Feature

The show is organized by Mariela G. Domínguez and features works by Justin Earl Grant, Micaela Piñero, and Dani Ev Riquelme. 

This article is the third in an annual exploration of Catrina-related phenomena in art and popular culture written for Glasstire.

I can recall a skeleton Elvis I once saw. The scary pompadour works.

Sala Diaz was the first space of its kind through which I came to recognize and appreciate the important duality of a house-space.

"[During the pandemic], it just started to feel like there was this invisible army of stories around us that we didn't have access to."

A video tour of the Houston Museum of African American Culture's latest exhibition, featuring works by Danny Simmons and TAFA.

This week: cake and pie in San Antonio, a show about dreams in Comfort, visionary art in Houston, and more.

“A lot of people think I’m trying to be clever, [but during lockdown] all I wanted to do was to try and make beautiful things."

Angela Faz’s multimedia exhibition, "The Grammar of Animacy," focuses on the personification of the Arkikosa (also known as the Trinity River).

The work in this show accomplishes what all meaningful art does: it builds a deeper recognition of the pain, the beauty, and the essential value of life.

Today: Squiggles

A video tour of Ruiz-Healy Art's latest show, featuring works by Rahm Carrington, Carlos Limas, Joel Salcido, and Tito West.

In this exhibition you're a client of Taller de Harrington; you're grossly forced into a showroom that literally puts on a pedestal the unnecessary things we own.

William Sarradet and Brandon Zech discuss the recent sale of Banksy's famous shredded artwork, Love is in the Bin, and also discuss how the Vienna Tourist Board is evading censorship by showing the city's nude artwork on OnlyFans. 

Canvas prioritizes the gallery’s artist and their artwork. Moving forward, the space aims to show the work of local artists who are creating compelling contemporary art, and who are looking forward at the art world’s trends.

This week, San Antonio artist Juan Miguel Ramos talks about his 2002 public art project and exhibition at Sala Diaz.

Merrill weaves a kind of magic within her art to foster our curiosity about the banal.

This week: putting in work in San Antonio, geometry in Houston, and a biennial tackling equality and identity in Amarillo.

The culmination of the music, the visuals, and the audience was a poignant and moving experience, one that I will no longer take for granted within the context of the pandemic.

The interplay between digital and analog spaces makes the history of computer graphics a unique blend of twentieth-century engineering and art.