Neil Fauerso

Lester uses blind contour — the act of drawing an object without looking at the paper — to physicalize the inherent impossibility of a perfect copy in the propagation of life.

These days, what is the provocateur to do?

Mérida is blindingly bright and colorful, viscerally hot, and endlessly beguiling.

By isolating something as simple as a tree and creating multiple perspectives through the lenses, Cartterfield's work evokes the idea of a life lived as if looking out from the window of a train.

One can question why alcohol has to be an underpinning of basically all social events, and a recent two-fer show by Amada Miller and Nicholas Frank does just that while creating a fantastic bar at a gallery. 

Scott Walker took an 11-year hiatus before returning for one of the most remarkable final artistic acts in memory.

Part of Villalobos' practice involves his highly rigorous, ritualized performances, and on Sunday March 17, he performed at Rigoberto Luna’s family ranch south of San Antonio.

Una parte de la práctica de Villalobos incluye performances altamente rigurosos y ritualizados.

Huffman’s solo show slides between process and transcendence, like a lever on a mixing board.

For No Idea, performers from around the country and the world perform multiple times in different collaborative configurations, giving the festival a freewheeling and communal atmosphere.

Kitchen uses a complex process in large-format cameras to create landscape works with geometrical shapes embedded in them, creating a sense of inlaid or overlapping visual realities.

Chadbourne is an artist with a background in mathematics and physics, and his work is an evocative visual symbol for mathematical ideas.

The Fyre documentaries and the debacle they depict are akin to freebasing schadenfreude.

Miller’s solo exhibition is spread across the modest two rooms and hallway in San Antonio's Sala Diaz, and is a quietly epic meditation on the sublime absurdity of existence.

Rohitash Rao has created a fake (and traveling) “record store,” made up entirely of fake records and promo posters by and for fake bands.

The collective M12's publications are profound and expansive meditations on various interconnections of rural American life.

Presa House in San Antonio exhibited the works of three Brownsville artists who studied with Carlos G. Gómez, as a tribute to his memory. 

I have been waiting to see the Orson Welles’ film 'The Other Side of the Wind' for more then 20 years.

A massive group show in two San Antonio venues, curator Risa Puleo assembles a dazzling array of artists living or having histories in the corridor of the Monarch’s path.

Happy Halloween week! These are the purest distillations of a nightmares ever filmed.