For a casual observer or pedestrian, the spaces Hegert calls into focus go unseen.

Organizations in Rockport, San Antonio, Dallas, and Houston are looking to either add to their development teams, or hire a development director.

Mérida is blindingly bright and colorful, viscerally hot, and endlessly beguiling.

This year's installment, curated by Charles Dee Mitchell, focuses on video works and time-based media.

A pioneer of his time, Ellsworth Kelly was known for his artworks and sculptures that focused on line, shape, and color.

In our latest Art Dirt podcast, Brandon Zech and Christina Rees start out talking about artists who have been kicked off of Instagram, but quickly devolve into how social media platforms can be problematic ways of engaging with the art world.

Nobody, seeing an abstract painting today — no matter how good it is — is going to recoil and say, “Oh my god, what is that?? That’s not art!”

"Someone asked me during the opening if the fur was real, and I told them that it was real fake fur."

MoMA produced a video that demonstrates how to make a painting in the style of Willem de Kooning.

Big Medium, the Austin-based nonprofit art space responsible for organizing the yearly East and West Austin Studio Tours, announced this week its new LINE Residency program. Run in partnership with…

The exhibition attempts to define the hard-to-describe notion of what "Texas art" really is.

Saturday, May 4 marks Chinati's Community Day in Marfa, and the Judd Foundation will open La Mansana de Chinati/The Block.

Christina Rees and Brandon Zech on a gem of a film festival in Marfa, a tequila bar as Zen garden, and a show that gets artists and writers in the same room.

The project, which includes works by Rob Pruitt, Kenny Scharf, Nina Chanel Abney, Tomokazu Matsuyama, FriendsWithYou, AVAF, and André Saraiva, officially launched in New York City in April of 2018.

A unique artist and activist in the San Antonio art and LGBTQ communities, Gene Elder died on Sunday after a bout with cancer. He was 69.

Along with its neighboring organizations, the museum was targeted by thieves who stole donation checks.

“To erect a border wall now in the flood plain of the Rio Grande River is not only an act of institutional racism and environmental desecration, but an historical anachronism.”

Rosales’ current exhibition follows his artist residency at the Transart Foundation for Art and Anthropology in Houston.

The grant is awarded to mature artists in recognition of the quality of their work and of the artist’s dedication to his or her art over a period of many years.

The DMA's appointment of Julien Domercq is the most recent in a series of curatorial changes at the museum.