Review

Una parte de la práctica de Villalobos incluye performances altamente rigurosos y ritualizados.

Three Belgians delegating the culture of the United States back to itself: that’s something to chew on.

Huichol artists work without templates. They just go at it, free-hand, like great jazz players improving off the Dorian minor scale.

Huffman’s solo show slides between process and transcendence, like a lever on a mixing board.

If one is hoping to come down from stress of daily existence, two concurrent exhibitions at Artspace111 in Fort Worth could do the trick.

Does the word “background” in Horn’s description of her use of language here as “background noise” really indicate an auxiliary purpose? I don't believe it.

“I’m not a storyteller. I’m an imagemaker. The story is made in the mind of the viewer.”

For No Idea, performers from around the country and the world perform multiple times in different collaborative configurations, giving the festival a freewheeling and communal atmosphere.

Listening to a house singing to itself is, quite simply, a magical experience.

Is it redundant to show works from the same artists and series concurrently in the same zip code, or, in this case, does it expand the conversation about printed paintings?

Anila Quayyum Agha's newest work, on view at Talley Dunn in Dallas, emerges as a small, quiet spectacle that operates with intelligence and sensuous resonance.

There's often pleasure in being reminded of one’s physical existence by art, and each work in the show does that on its own terms.

I think Ruby's impulse is limited to making cool-looking shit, so I’m often mystified by his seemingly unchecked success.

In short, this show presents like a most timely biennial. 

One of Jacobs' installations creates the sensation of being absorbed or implicated in the art, as if the art is watching you.

Movies struggle with the subject of the art world, don't they? The best part about 'Velvet Buzzsaw' is how it's caused us to think of much better movies about art. 

At Texas State University’s Wittliff Collections in San Marcos, a variety of historical research materials illumine writers’ methods and explore the mysterious places where stories originate.

You could make the mistake of believing that these paintings happened overnight, but anyone who’s made a leap forward in their own work knows that it takes years of private pushing to finally get a breakthrough.

Three compelling shows are on view at Fort Works Art in Fort Worth, with one extended an additional week.

Miller’s solo exhibition is spread across the modest two rooms and hallway in San Antonio's Sala Diaz, and is a quietly epic meditation on the sublime absurdity of existence.