Review

Barbara Purcell reviews Nick Barbee's solo exhibition at the Galveston Arts Center. This is the first solo show by the artist in Galveston in the ten years he has lived and worked there.

Hannah Rotwein reviews the exhibition "Every Empire Breaks like a Vase" by artist Paulo Nimer Pjota.

Lauren Moya Ford reviews the publication "Painted Flowers Shouldn't Talk Back," a book about the Houston Garden Artists Collective, which discusses their work and lives.

Caroline Frost reviews a citywide exhibition of work artist Bill Hutson in San Marcos. The show spans five exhibition venues in the city.

Aunque mucho se ha escrito sobre el trabajo de Milton, no conocía el de su esposa e hija. Al investigar su obras, me enteré de lo que se ha nombrado “el estilo Avery”.

Barbara Purcell reviews Terry Allen's exhibition "MemWars" at the Blanton Museum of Art at UT Austin.

William Sarradet on recent exhibitions in Dallas, including shows at Conduit Gallery, the Goldmark Cultural Center, Site 131, and more.

La escena artística del Valle del Río Grande está en recuperación, por muy precaria que sea.

Writer and historian Ruben Cordova reviews an exhibition of work by British artist J. M. W. Turner at the Kimbell Art Museum in Fort Worth.

Ruben Cordova reviews the "Calder-Picasso" and "Incredible Impressionism" exhibitions at the Museum of Fine Arts, Houston.

Lauren Moya Ford reviews the exhibition "A Commitment to What is Before You," on view at Northern-Southern in Austin.

This scholarly approach to Picasso emphasizes process and iteration – it helps audiences consider how paintings evolve in active, dynamic ways as they are being painted.

The quality of the work from the last two years of van Gogh’s life is astonishing, as is the speed with which he painted these pictures. I enthusiastically recommend this exhibition to anyone who appreciates art.

Liz Kim on artist César A. Martínez's recent exhibition at the Laredo Center for the Arts.

Through detailed, carefully crosshatched renderings, Charles White illustrates the strength and perseverance of Black women. Juxtaposing the figures with symbols of fragility and femininity, he reminds the viewer of the humanity of his subjects — something that is too often set aside when upholding our heroes.

Christian Cruz collapses Brancusi’s "Endless Column" and the myth of Sisyphus into a story of unrecognized labor.

“Many people think photography is realistic. I think it lies. I am often astonished to see something after I have seen a photograph of it. Often it isn’t accurate. It can be quite a bit different from the real thing.”

While much has been written about Milton Avery’s work, I was unfamiliar with that of his wife and daughter. In researching their work, I became aware of what has been termed the “Avery style”.

William Sarradet writes about recent San Antonio art exhibitions, performances, art walks, and more.

South Texas’ artists and artist-run spaces are projecting familia into an uncertain future.