Review

Jessica Fuentes on “Technicolor Summer,” which is currently on view at the Old Jail Art Center in Albany.

Artist and writer Colette Copeland reviews a series of exhibitions focusing on paper and books at the Grace Museum.

Hannah Rotwein reviews Jessie Homer French's solo exhibition of paintings at Various Small Fires in Dallas.

Wendy Atwell reviews Gabbe Grodin's exhibition "WOW: Wonderful Old Women," on view at Bihl Haus Arts in San Antonio.

Henry G. Sanchez reviews an exhibition at Jonathan Hopson Gallery in Houston, featuring work by Liz Rodda, Lauren Moya Ford, Hong Hong, Guadalupe Hernandez, Brandon Tho Harris, and Troy Dugas.

Michael Flanagan reviews a solo exhibition by Rachel Comminos at the Brownsville Museum of Fine Art.

Matthew Bourbon visita “What I Saw” en la Menil Collection, una exposición que reúne las obras del artista autodidacta Joseph E. Yoakum.

William Sarradet on recent exhibitions in Dallas at the Latino Cultural Center, 12.26, the Power Station, and Peter Augustus.

The Nasher’s exhibition features Benglis' choice metal sculptures and fountains that are products of a long conceptual and stylistic evolution.

Caroline Frost on artist Sara Oppenheimer's recent site-specific public art commission, acquired by Landmarks and on view at UT Austin.

Reus creates immaculate, highly designed things that are complicated in their beauty and their teleology, mirroring the built environments that most modern, industrialized humans inhabit.

Barbara Purcell on an exhibition that examines the wide-ranging effects of land use in West Texas

Megan Wilson Krznarich on Colette Copeland's familial connection to one of America's most infamous outlaws.

Liz Kim reviews "Uncovered Spaces," an exhibition centered on female and LGBTQIA+ artists at the International Museum of Art & Science in McAllen, Texas.

Melissa Gamez-Herrera reseña la exposición de Karla García, que usa los cactus de cerámica como una metáfora de la vida en la frontera Estados Unidos-México.

Suber’s show is an encapsulation of this spirituality that surrounds the spaces between all of us.

Ruben C. Cordova reviews the recent solo exhibition of work by artist Shahzia Sikander at the Museum of Fine Arts, Houston.

Barbara Purcell reviews "The Whispers" by Tarek Atoui, the Suzanne Deal Booth / FLAG Art Foundation Prize winner, at the Contemporary Austin-Jones Center

Ruben C. Cordova writes about three Southwestern artists, Ricardo Islas, Brandon Maldonado, and Vicente Telles, who recently exhibited at Presa House Gallery in San Antonio.

In "Drawing Conclusions," on view at Northern-Southern in Austin, artist Tyeschea West offers up ten colorful photographic paintings that create a sort of double exposure of what is known and what is felt about the individuals in her work.