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The pièce de résistance of the Outdoor Art Exhibit in Eastland, Texas, is a 12-foot-tall cylinder painted to resemble one of Andy Warhol’s Campbell’s Soup Cans located in the parking lot of the Dairy Queen.

In the studio, Lanfear's collections of objects become the raw material for artworks that evolve through an intuitive process of finding creative avenues for their arrangement and presentation.

With many Lake|Flato buildings, a principled range of materials — stone, steel, concrete, wood — are recruited to create airy, boxy forms that provide unambiguous continuity between outside and in.

This week, film artist Roger Beebe is touring Texas with his multiple–projector presentation, Films For One To Eight Projectors, with stops in Houston, Austin, and Dallas.

Caitlin G McCollom: Why is your promo almost content-free? Free Beer: There is a pile of content, just no context. Yet.

Despite a public-funding disappointment, Co-Lab is set to expand with a little help from its friends.

Don’t let the formality of the titles fool you. The films are filled with dark humor and the messiness of everyday lives.

During my years at SAMA, I marveled so many times as I witnessed Latino high school students with eyes glued to Alvarez's work. For many of them, it is their story too.

This installation of the Sights Unseen series finds layers of family, history, and memory on display at a Houston cafeteria.

Jules' Airstream in East Austin may not be a mystic cave of the ancients, but with his tropical shirt glowing, he really embodies a little bit of what keeps Austin weird.

You can watch it from the sidewalk, or even from your car if you don't want to leave your air conditioning.

The rejiggering at Blue Star has transferred Monseau's energy to an expanded and exciting pop-up curatorial practice.

It was that AHA! moment, as if I woke up from a winter sleep and was alive, feeling Mark Rothko’s art around me. Wonderful. Powerful. Unforgettable. THANK YOU Mrs. de Menil.

The eclectic West Texas film festival revs up its projectors for four days of adventurous cinema.

The Houston photographer has a knack for being vulnerable and tough at the same time.

What emerges from the uncensored, anonymous collective conscious? It’s a whole lot of love, sex, violence, monsters, animals, and fantastical, childlike absurdity.

This upcoming Austin screening dives inside the mechanisms of the moving image with rarely-seen film/video works by Hollis Frampton, Paul Sharits, Tony Conrad, and Steina Vasulka.

I enjoy seeing my art scene wearing its Sunday best.