Feature

Christina Rees and Christopher Blay are joined by artist and gallerist Wayne Gilbert to run down Glasstire’s top art picks of the week, including one in a gallery called G Spot.

Works that are in the public domain may be used freely, without obtaining permission from or compensating a copyright owner.

Purcell spoke with mother and daughter on why they’ve chosen to open a second space, the differences between the two cities’ art worlds, and the surprising ways in which they overlap.

Brandon Zech and Christina Rees discuss what to expect from art in Texas over the next decade.

The grandeur of the work gives the viewer a God’s-eye view of things — a perspective that feels omniscient and timeless, yet the theatrical components remind us that we are each playing our parts.

Glasstire counts down the most anticipated shows opening across the state this spring, including one that employs a really unexpected material.

As always, Glasstire strives to bring you the articles, reviews, op-eds, conversations, and essays that matter most to our Texas-and-beyond audience. 

Valdez and Keene closed out their insightful conversation with a moving impromptu performance.

One of the revelations of this exhibit is how various visual artistic movements throughout the 20th century are physically manifested and demonstrated through theater and performance. 

Christopher Blay and guest host Robert Hodge visit Sig's Lagoon Records to talk about DJ Screw and their picks for the top five Hip-Hop Christmas songs of all time.

You can see John Forse’s other comics by visiting his Glasstire author page.

I’d guess that not many Texans have seen a live Kabuki theater performance, but for the next few weeks at Houston’s Asia Society, you can get pretty darn close.

Brandon Zech and Christina Rees discuss their favorite Texas art exhibitions of the past decade.

Glasstire staff and contributors share which Texas-based shows, events, and works made their personal “best” lists for 2019. 

There is no modern painter I can think of who touches Currin.

Christina Rees and Brandon Zech on a host of solo shows to catch across the state as you break for the holidays.

The documentary acknowledges one woman’s noble act of refusal to let the flow of ephemeral media go unquestioned.

Ruskin had called for realism, but for the group’s critics, this was too much realism, or the wrong kind of realism in the wrong place.

Drawing from the Morgan Library & Museum’s stunning collection, Medieval Monsters examines the monstrous through three specific themes: terrors, aliens, and wonders.

During the opening, I saw no posted warning to the graphic nature of the content in the show.