Feature

An exhortation to the world of immersive art: please take me to hell. After all, we already live there. 

Disasters will continue to route the path of history, and Texas will continue to keep up. As you enjoy your holiday, here are some observations from our calendar’s perspective.

this show is a/video book/consisting of/brief “pages”/arranged in/a suite

John Pomara waltzes on with mechanical processes.

Christopher Blay and Christina Rees on a paper show exposed to the elements, a show of sinister little dwellings, and a way to see a lot of art in one trip.

If you're in DFW, I'd consider this a must-see event.

“We provide the main ingredient for tourism, so we must be supported,” says one leader of the new 40+ collective.

"Precipice" is a series of concurrent exhibitions by three artists: David Maisel, Jess Benjamin, and Mark Messersmith.

The exhibition is comprised of two parallel bodies of work: Joseph’s well-known works on paper, and his newer exploration of sculptural wall reliefs.

The live-streamed performance conveyed a rawness that not only reflects the artist's personal experiences, but the kind of year this has been.

The project is the navigation of the perilous and labyrinthine archives of one’s identity and history.

Christina Rees and Brandon Zech talk about the recently discovered (and removed) monolith in Utah, and about the wonderful work of a minimalist sculptor. 

"My relationship with the border has led to the quest of understanding the space of the borders by attempting to materialize an intangible exchange."

Two images of women and waterfalls: from the movie Brave, and in a 1926 watercolor by the artist Rockwell Kent. Implausibly, they feel like freedom.

“It’s always like: In here we’re an artist, in here we’re a social entrepreneur, in here we’re making policy changes. Whatever it is, it's being in a space where we feel like we’re needed the most to make social impact.”

Brandon Zech and Christina Rees on Christmas shopping for art, two shows you need to see in person to appreciate, and an anniversary show for one city’s contemporary art hub.

"Explore the exhibition 'Across the Atlantic: American Impressionism through the French Lens' to discover what it means to be modern."

"A group exhibition featuring paintings, drawings, mixed media, photography, sculpture and video that reflects on highlights of Colton’s twenty years in Houston."

How have the City of Houston’s art agencies responded to the Covid economic crisis, and what is their relationship to Houston’s arts community?

Por lo tanto, hemos probado tres suculentos platillos de canibalismo como sátira, y creo que los tres son deliciosos.