Permanent collections sit all across the world, waiting patiently to be remembered while we barrel through newness.
William Sarradet
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I don't take consistency for granted these days.
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In pictures, William Sarradet walks us through nine current gallery shows.
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There are artists and events to pay attention to as we all work together to reconfigure the Texas arts infrastructure.
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Holsonback’s work often pushes us to find the context for ourselves.
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Disasters will continue to route the path of history, and Texas will continue to keep up. As you enjoy your holiday, here are some observations from our calendar’s perspective.
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Glasstire’s events and social media editor William Sarradet traveled alone by car to Rockport, on the Texas Gulf Coast, to attend the 14th Annual Rockport Film Festival.
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In spite of the aftershocks of Hurricane Harvey and a global pandemic, the concentrated art community in this coastal town has managed to keep the momentum of culture moving forward.
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Big Tex is an abstract everyman who somehow manages to be nobody.
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Berruguete’s contribution to this period of art history is an excellent case study of individual contribution versus cultural demand.
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Clemmons’ reception on Gather.town recalled the playable chat rooms of the past.
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This summer group show presents a timely visual conversation.
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This is a list of songs that pull me out of the void while we wait for whatever new “normal” comes to be.
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This is a list of songs that pulls me out of the void while we wait for whatever new "normal" comes to be.
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These donations will eventually be turned over to artists who live at the intersection of poverty and marginalization.
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The Dallas artist's single-channel video I Heart Micah is most positioned as a particularly Dallas story.
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Yet another artist-run space is having its monthly performance blowout practically in the middle of the city.
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Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.
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Glasstire’s William Sarradet was invited by the Belgium-based gallery Harlan Levey Projects to be a writer in residence for one month in Brussels. In this series, Sarradet relays his findings on art and life in that city.
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The work, commissioned by the Nasher, broadcasts recorded testimonies, primarily from women describing the positive attributes of the sperm donor profiles they’re perusing from a sperm bank.