We knew newspapers and even magazines were a goner, eventually, but it didn’t sink in what that meant.
Op Ed
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Rainey Knudson and Christina Rees discuss their experience and impressions walking through a big group show installed in repurposed rice silos.
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As a non-native Texan based in DFW, this was my first visit to Waco and both the conference and city exceeded my expectations.
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Perhaps we in Texas can learn from Germany in this dark time.
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"I still think it's the best way to really see all that Marfa has to offer."
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'Fair Park Lagoon' by Patricia Johanson is one of the most important artworks in Dallas. Its fate is tied to the fate of the Park.
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"If you are dumb and without talent going in you'll still be that way coming out. "
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We love this city, which, as it turns out, means we love each other.
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I think there’s talent everywhere that we don't get to see, and I think that there are artists who are truly deserving and fascinating who we don’t discover.
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Christina Rees and Michael Bise discuss why drawing is (still) so crucial for artists.
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It’s surprising how many people I know haven’t been there.
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No artist ever woke up one morning and spontaneously said, “I sure wish I could decorate an electrical box!”
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Don’t get me wrong: I’m grateful to see Ai Weiwei's work here in Texas, but its symbolic leverage is skewed here.
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What was problematic about the art world in 2014 is still a problem, but the larger and deteriorating political environment changes the shape and source of the alarm.
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This artist hasn't adjusted to the fact that now we can see how his art is made, and it’s ugly.
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Our second Civil War would be fought over the removal of monuments to the first Civil War.
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The summer months loom before Texas artists like a threat.
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What happens when, as a critic or artist, you believe the culture and the tradition from which a practice emerges is criminal, or even evil?
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Good artists can inadvertently unsell themselves by attempting the confident and polished ‘performance’ when they would have been better off grunting for an hour.