Home > Article > Blog > Glass Satire: CAMH Art Crush

Glass Satire’s newest installment explores the incompatibility of contemporary floor-based sculpture with very important people who don’t ever look down. (It also explains why the Félix González-Torres sculpture in the CAMH’s last show moved from the floor to a pedestal.)

also by Bryan Miller
Print Friendly
You may also like
The Bigger the Better: Billboard Art
The Kids are Alright: ‘Origins of the Self’ at CAMH
Angel Otero Wins the Hunger Games
CAMH Curator’s Advice on How to Change the Art World

1 Response

Leave a Reply

Funding generously provided by:
'