Home > Article > Blog > Glass Satire: CAMH Art Crush

Glass Satire’s newest installment explores the incompatibility of contemporary floor-based sculpture with very important people who don’t ever look down. (It also explains why the Félix González-Torres sculpture in the CAMH’s last show moved from the floor to a pedestal.)

also by Bryan Miller
Print Friendly
You may also like
Mark Flood at the Contemporary Arts Museum Houston
Punk Rocker Mark Flood to Get Classical Treatment Tonight
Bill Arning Picked For New Rauschenberg Writing Program
Jennie C. Jones: Compilation

1 Response

Leave a Reply

Funding generously provided by: