Artpace's residents receive housing, studio space, $10,000 for exhibition production, and a $6,000 stipend.

The time for this has come. We are 45% of the population.

La precisión con que acomodan cada chaquira es increíble. Una curadora me dijo que los artesanos huicholes trabajan sin plantillas. Empiezan así nada más, a mano alzada, igual que los grandes músicos de jazz improvisan sobre la escala dórica.

On May 17, Margarita Cabrera’s major new public artwork titled 'Árbol de la Vida: Memorias y Voces de la Tierra' was officially unveiled to the public at San Antonio’s Mission Espada Portal.

The fellowship runs for seven months and includes a $5,000 honorarium.

Glasstire founder Rainey Knudson's final article as publisher.

This weekend, on Saturday, June 1, 2019, the Texas Sculpture Group is opening its All-Member Exhibition at Splendora Gardens. Founded as an non-profit organization promoting sculpture in all its various…

Minor quibbles aside, this series is remarkable for its ambition, rigor and depth.

We had a great night Friday, May 17, 2019 at the Texas Gallery in Houston, celebrating Rainey Knudson as she sets off on new adventures.

Big Medium announced today that the Texas Biennial will return in the fall of 2020.

For Rainey Knudson’s last week at Glasstire, she recounts her five fondest art-related memories leading up to and during her Glasstire years.

Because it is not dry docked, it requires constant maintenance.

The mayor may nominate two Houston projects for grants of up to $200,000.

On May 26, the New York Daily News reported that New York and Marfa-based artist Jeff Elrod has been accused of groping a woman outside of a restaurant in Marfa. On July 9, 2019, Elrod was found not guilty in a misdemeanor bench trial held in Marfa.

Given to North Texas artists, the grant is true to its name, granting awardees $2,000 each to accomplish specific goals.

The funds provide support to the artists for travel, supplies, equipment, and residencies.

Personal history, heritage, and cultural practice — combined with an ethical concern for the bio-material — contribute to expanding definitions of bio-art.

The CU's functional design allows for individual autonomy with some degree of privacy, as well as plenty of common areas for interaction, camaraderie and collaboration.

In our latest Art Dirt podcast, Brandon Zech and Christina Rees talk about the merits of shock value, the uselessness of labels, and the dread of getting stuck watching a bad performance.

Instead of white-walled booths, selected exhibitors will occupy the hotel's various rooms by hanging works on walls, displaying pieces on tabletops and beds, and finding other inventive ways to use the spaces.